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  • San Jose Barracuda Advance After 2-0 Sweep Against Ontario Reign

    Gallery by Allison Cho A late third-period goal made the difference on Saturday night, as the San Jose Barracuda  defeated the Ontario Reign  2-1 to complete a 2-0 series sweep. With the win, San Jose advances to the Pacific Division Semifinals in the 2025 Calder Cup Playoffs. Check out the gallery below to relive the action. These photos are owned by Hazze Media and the American Hockey League (AHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

  • Providence Bruins Tie Series with OT Win Over Springfield Thunderbirds in Calder Cup Round 1

    Gallery by Holly Arend The Providence Bruins defeated the Springfield Thunderbirds 1-0 in overtime on April 24, 2025, at the MassMutual Center. With the win, Providence ties the series 1-1 in the 2025 Calder Cup Playoffs  opening round  in the Atlantic Division. Check out the gallery below to relive the action. These photos are owned by Hazze Media and the American Hockey League (AHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

  • The Dutch Kills: New York’s Indie Rock Underdogs Making Noise

    Written By: Zach Lee | Photos By Nik Bauman New York City has always been a breeding ground for rock bands, but only a few capture the city’s raw energy quite like The Dutch Kills. Inspired by the chaos, grit and vibrancy of their home, the band blends emotional depth with high-energy anthems that mirror the very streets they walk. The Dutch Kills, named after an actual bar in NYC, represent the city through their music and tell the story of their increasing success. “We get very inspired by the city, but also still have our own thing going on,” says vocalist Julia Kley. “Most of the time I’m listening to music when I’m walking or commuting, so I always try to curate the vibe. Our songs kind of live in that space — the perfect ‘on the train’ sound, where maybe you’re feeling a little sad, but also something that gets you pumped up when you’re walking down the street.” Their music sits somewhere between post-punk revival and the alternative rock resurgence that’s been bubbling up in the city’s underground scene. While their sonic identity pulls from various influences, Kley says the band prioritizes creative freedom over chasing trends. “I don’t think people come to our shows for the aesthetic,” she explains. “They come to jump around and have a good time.” But breaking into the NYC music scene isn’t just about writing great songs — it requires strategy. The Dutch Kills quickly learned that building momentum takes more than talent. The band speaks very passionately about the pursuits they are undergoing. They have a deep respect for the art and for creating something original and innovative. “I felt like luck became cheap, and I wanted to capture this dread in the intro lick [of The Rot]. I wanted to create a little bit of unease to where you just go, ‘well, what's going to happen next?’, and you're thrown around a little bit,” Kley explains. Having been performing for several months, the band speaks of several instances where they’ll recognize fans from previous shows and are becoming more personally connected with their fan base. Guitarist Alec Berry recalls how they leveraged early success to book more gigs. Within their first year or two, they’ve been able to exponentially increase the number of shows they play - only leaving a few weeks between each performance, they are able to return to familiar venues and debut at new ones frequently. “We were able to get a show pretty quickly after our first one because we could say, ‘X amount of people came to our last show,’” Berry explains. “Once we had two shows under our belt and put out a song, it became a little bit easier to do this.” They’ve embraced a DIY approach, handling their own promotions, networking and gig bookings. Word-of-mouth and social media have played a big role in their growth, with local bands supporting each other in a scene that Berry describes as tight-knit. Along with bassist Maxine McCormick and drummer Heather Jensen, the band is gaining more popularity — performing at many venues around the city. They spoke about the close community of musicians that they’ve become acclimated to and how networking and getting shows promoted is so easy because everybody knows everybody. Each member of The Dutch Kills truly has a passion for the band — it’s their shared priority, and it’s clear that each of them feels incumbent to add and support the success of their musical pursuits. Berry adds that each member not only brings their own prowess, but their own energy and style as well, “I don't think people come to our shows for the aesthetic -  they come to every time to jump around and because we look cool. I think we would look good as a cartoon band.” “There’s a lot of camaraderie right now,” Kley adds. “Most of my friends are in bands. Everyone shares each other’s flyers, goes to each other’s shows, and really roots for one another.” Despite the scene’s sense of community, The Dutch Kills have also witnessed the more performative side of the industry — where being seen at the right places and looking the part sometimes takes priority over the music itself. Speaking to venue owners on a whim or meeting people who know people are how they build their network. Being able to sell out venues and make an imprint on the music scene in New York goes a long way to booking more and more. Alec spoke about getting comfortable with the songs and materials - rehearsing over and over until they could perform without effort and without displaying the hard work that went into preparation.  The Dutch Kills are establishing themselves as an embodiment of New York City’s spirit. They honor the place that shaped them, channeling the city’s energy into their lyrics. Their new single “Cheap Love” is out now — “a grungy tale of toil and trouble, fake love and young relationships, replete with tangible emotion and thrashing guitar.” Cheap Love" is available on Spotify, Apple Music, and other platforms .

  • Solar Bears Close Out Weekend with 5–0 Loss Over Ghost Pirates

    Gallery by Christina Winnegar The Orlando Solar Bears capped off the weekend with a 5–0 loss over the Savannah Ghost Pirates at Kia Center. Check out the full game gallery below. These photos are owned by Hazze Media and the East Coast Hockey League (ECHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

  • How Harm Reduction Is Transforming the Music Scene—The Tools and Organizations to Know for Overdose Prevention This Festival Season

    By: Camila Molina While no one wants to explicitly acknowledge that their venue or festival is a site of drug use, festivals are spaces for new experiences — for young concertgoers, this includes music, culture and food. Objectively, those experiences sometimes also include experimenting with so-called “ party drugs ,” including but not limited to MDMA, ecstasy, cocaine, LSD and cannabis. As music festival season approaches, key safety measures are crucial. While most attendees are reminded to stay hydrated, an often-overlooked yet critical resource is harm reduction — an evidence-based approach to preventing overdose. Many people assume harm reduction isn’t relevant to them because they’re not regular drug users, when in reality, harm reduction is for anyone who wants to reduce the risk of things like overdose for themselves and the people around them. To stay safe, here are some resources you can check out — both in preparation for festival season and at the events themselves. Harm Reduction Booths: On-Site Education and Naloxone Distribution In a recent interview with HAZZE Magazine, Ingela Travers-Hayward, one of the co-founders of  This Must Be The Place  — a festival-based overdose prevention initiative — pushed back on common misconceptions. “Our data tells us that over 60 percent of festival attendees identify as special occasion substance users,” said Travers-Hayward. “That's been something that all the other organizations I've talked to have mentioned — the concern that people don't think that harm reduction applies to them because they're only using [substances] on special occasions.” Fentanyl laced in other substances cannot be detected by smell, sight or taste, and even just two milligrams can be lethal .  Naloxone is a medication that can reverse an opioid overdose, and it's now set to be available at many upcoming major music festivals and is currently legal for anyone to carry and administer. Alixe Dittmore, the Housing and Shelter Capacity Building Coordinator for the National Harm Reduction Coalition , told HAZZE Magazine that carrying naloxone is essential — even if you think you’ll never need it. “I hope you just have it, and you never have to use it. But I would much rather folks be equipped because if you think responding to an overdose is traumatic,” said Dittmore. “What's even more traumatic is watching someone overdose and calling 911 and [...] thinking that you can't do anything." Staying as safe as possible while using drugs also relies heavily on education. Drug-related health risks aren’t just about fentanyl contamination; they also involve key safety factors, such as dosing and other critical precautions. Sharing this information in a clear, accessible way remains a core goal of harm reduction organizations. During our interview, Dittmore highlights how DanceSafe , an influential harm reduction organization within the music scene that pioneered many life-saving approaches, achieves this through unique health communication strategies. For example, she describes how their pamphlets often feature bright, eye-catching graphics on the front, while the back provides crucial safety information on topics like dosing. This information is also available on their website.  One such example is a colorful “Cocaine” graphic, which presents clear, evidence-based safety information, including warnings like: “Be careful! The risk of cardiovascular injury with cocaine is significantly higher than other stimulants. High or frequent doses of cocaine can damage the heart and blood vessels, causing strokes, aneurysms, and heart attacks.” Overall, the goal of many harm reduction booths is to make the information less intimidating for both people who want to engage in abstinence and those who are using drugs. “Many people who are going to shows, it's like their first time using a drug, or it's kind of the only time that they might use drugs,” said Dittmore.  No Harm-Reduction Booth? Bring Your Own Naloxone! Despite the reality that people are using drugs at festivals, there has historically been hesitation from some venues to have harm reduction on site due to liability concerns. Acceptance varies widely, often depending on local politics and regional attitudes. So, what happens when harm reduction groups aren’t welcomed? J.P. Kennedy, who co-founded Musicians for Overdose Prevention , shared with HAZZE Magazine that sometimes the most effective strategy is the most direct — walking into the crowd with naloxone in hand and showing people how to use it on the spot. “Every music venue should have it, and I’m gonna walk it in,” said Kennedy.  While Musicians for Overdose Prevention implements these life-saving initiatives at several events, it’s impossible to be everywhere. That’s where bringing your own naloxone comes in. Naloxone is now available over the counter at many pharmacies; however, the cost can still be a barrier. There are resources like End Overdose  that help make it more accessible. During an interview with HAZZE Magazine, Maddie Ward, director of operations at End Overdose, shared that their headquarters offers free online training, and after completing it, they’ll ship naloxone anywhere in the U.S. for just the cost of shipping. Moreover, for college students, many universities now offer ways to access free naloxone. Universities like NYU, USC, UNC, UCLA, and Rutgers offer free naloxone through various campus programs. Ward explained that a key part of End Overdose’s outreach happens through its nationwide chapter program, which is mostly based on college campuses and focused on distributing naloxone. Fentanyl Testing Strips: Key Info and Safety Tips Another crucial resource in harm reduction and overdose prevention is drug testing strips, including fentanyl test strips. Yet, access to this life-saving tool remains a challenge at festivals and music venues due to a range of barriers — from legal restrictions  in some states to widespread misinformation and lingering stigma. You can consult your state's health department or local harm reduction organizations to learn about the availability of free fentanyl test strips in your area. If you're a college student, you can check whether your university’s health center offers testing strips, as many do. Students can also check whether their campus has an End Overdose chapter, as the organization provides free fentanyl test strips and other resources, according to director of operations Maddie Ward. If you're purchasing your own drug-checking devices, it is crucial to research which tools are proven to be effective and which ones are not. Dittmore warns about the potential rise of unreliable drug-checking devices, stating, “There is no such thing as a drug checking keychain that works […] I've been seeing that a lot. People saying we are able to do all of these drug tests, like in this little one unit thing. No, you're not.”  Even when reliable testing strips are available, many people don’t realize they need it. Dittmore with NHRC recalls this firsthand, stating: “I used to be big into going to shows and like festivals, and I would do drug checking there, and people would be like, ‘I don't need my drugs checked. Like, I'm just getting molly’ and I'm like, ‘cool, let's do a reagent test’ and then it's popping up positive for meth.”  There is still progress to be made in ensuring the safety of festival-goers and the music scene as a whole, but getting resources from organizations like DanceSafe , End Overdose , Musicians for Overdose Prevention ,  NHRC  and This Must Be The Place  can create safer experiences at music festivals. Learning how to stay safe — whether by finding these organizations at a booth, obtaining testing kits and naloxone in advance, testing substances beforehand, or carrying naloxone to help others in the crowd — can make a difference.

  • Golconda: An Innovative Streetwear Brand

    Interview & Article By: Raven Horne Q & A Disclaimer: This interview is lightly edited for grammar and clarity What do you get when you combine fashion-forward streetwear with the glamour and culture behind South Asia? You get Golconda , which is a South Asian-inspired luxury streetwear line. What makes Golconda unique compared to other brands is that they not only use premium and authentic materials synonymous with South Asian tradition and culture, but they also source their artwork from local artisans and craftsmen across South Asia. These partnerships have allowed for traditional art from the region to flourish and sparked newfound economic opportunity. In this interview, I got the absolute pleasure of meeting and sitting down with the founder of Golconda, Akash Pradeep. He is currently a student at the University of Texas in Austin, Texas. He previously attended college at the College of Creative Studies, specializing in Footwear Design in Detroit, Michigan. So far, Golconda has created products such as small bags, wallets, and clothing. In the future, the brand plans to create footwear as well.  Q: What is the meaning behind “Golconda” as a brand owner and designer? A: First off, I'll give a little background about what Golconda means and then also the greater meaning of it too. Golconda is actually an ancient fort in India, and it is known to have housed some of the world's most precious diamonds, including the Kur diamond. And it's known for its royal reign over it, including diamonds, luxury, rich tradition and history. I think a lot of those core historic themes and ideas are heavily translated in what I'm trying to create. And Golconda, as a whole, is not only a testament to richness and the richness of South Asian culture, art and creativity. It's also a way for the rest of the world to appreciate this heritage — people who have often been left out of the limelight to be seen — and to relate with something more mainstream, something more accessible. Because at the end of this, I want this to be something that everyone is able to interact with and relate with, and all those things combined is what Golconda is aiming towards. Q: What drove you to create your own brand? A: I guess I'll take the premise of what the brand is and then tie it into what drove me. I’m a South Asian myself, and for me, cultural representation is really impactful, especially in terms of expressing yourself, but then also expressing your identity and things of that nature. The main reason I chose to pursue something like this is because currently, I notice that there's a lot of untapped potential in terms of South Asian creativity and South Asian creators. With just the art, culture, entertainment and media surrounding such a rich yet untapped culture, but that's steadily also on the rise. South Asian media, culture and creativity are gaining popularity due to globalization and other things with people just appreciating the culture and showing respect towards it. It's one of the oldest cultures in the world. It's one of the richest in terms of tradition, in terms of history, in terms of innovation and contribution on the global stage. Yet, it hasn't become as mainstream as other cultures, and also largely due to, you know, the rough history we've had in terms of whether it's like colonization or just discrimination for generations. Specifically contemporary fashion, such as streetwear. And so, that's part of the reason I really want to help amplify the voices of creators, thinkers and innovators that have brought so much from my culture, but also onto the global stage. I think it's important that as creators, we help chip in on that. Q: What inspired you to create a brand revolving around streetwear?  A: So again, I think it ties back to what I said before, about being South Asian and then also seeing that South Asian culture is so prevalent and rich in history, but largely untapped to, in terms of creativity, mainstream media, and modern-day expression. Which is definitely something that I saw as a space lacking that material. Especially when it comes to streetwear, I think what's great about streetwear is that it's one, it is globalized like almost no other genre of fashion. I'd say regardless of what part of the world you go to, there is some inkling of streetwear. And, I think what makes streetwear so global and so recognizable is its versatility.  Q: What other pieces do you see will be created in Golconda? A: Yeah, as of now, there are things that we've actually liked that we have samples of — things we've created that are limited to garments and clothing. But we're in the process of creating a sample for purses, like small bags, not handbags. So kind of like purchased wallets, whatever you want to call it. So, that's something we're working on, something smaller scale, but also along those accessory lines. Something that I definitely want to do in the future is footwear, especially South Asian-inspired footwear. It’s something I definitely want to create in the future, simply because I have a lot of experience with footwear. And I think footwear is so expressive, but also very eye-catching. I have a lot of good ideas for it. So, that's something I want to do in the future, and then, you know, I'm open to other accessories and other pieces as well. Q: What is it like working with artisans and craftsmen all over South Asia for the brand? A: I think it's definitely inspiring, and there's a lot of empathy within it too. But sometimes, it's also just like being starstruck or being in awe. Because one, you have to realize that some of these artisans, this is their main living, right? They're trying to make ends meet sometimes with the work they do, but then they also put in an insane amount of time and effort, money, and sacrificing all that to not only for financial needs. However, a lot of these artisans are also very passionate about what they do. It's the thing with all creators, really. Sure, you can do it for money and all this, but then at the end of the day, creators also have an underlying passion for that expression and just doing what they truly love. And so, it's definitely inspiring working with these hardworking individuals and seeing their stories, their struggles, and then their talent as well. It's always cool to see that. It is very inspiring, but then also that empathy of recognizing that, you know, like, ‘I respect your talent, craft, and that's why I'm working with you to help, you know, bring that to something more visible and where you can amplify that work.’ Q: What is the difference between getting pieces from South Asia compared to pieces that are inspired from it? A: I think that question also obviously applies to South Asian materials in what is in it. Such as practices and commonalities, but I think it applies to really any sector of fashion, too, such as being able to get something from the source versus a close enough version. And, I think It's really anything you can wear, something you can interact with or consume something even, that is almost the same version. But, I think when you have a hold of the original or something that's true to its history or things like that, it builds a deeper emotional connection of the story and just how we interact with it. Or maybe on a spiritual level or even like literal senses. Something from South Asia, for example, like silk or a particular type of threading material, like gold leaf, is not something very common or something you normally interact with. So, it's also activating some of your senses, whether it's touching, how something feels on your body or on the garment, but then how it looks as well, such as visual appeal. I think both those things are something tangible and something more ephemeral. I also think both things combined adds a deeper meaning, something that the end user or consumer can start to build a story with, and relate to and also see the creator's vision. Q: Has Golconda ever collaborated with another brand? A: The answer is yes, we recently announced a collaboration this past summer with a Dallas footwear line called 33.9, they are a footwear line and the founder is Nicole Musselman. 33.9 is a dedicated brand and surrounds a former NBA and NCAA coach, Bill Musselman, who's also her father. This collaboration was announced in Summer 2024. Golconda's blend of traditional craftsmanship and contemporary fashion seamlessly merges with 33.9's innovative fusion of sports and personal stories, creating a collection that is both timeless and cutting-edge. This collaboration is a tribute to the relentless spirit of artisans and athletes alike, encapsulating the essence of cultural fusion and unparalleled quality. We are expecting to launch in Spring 2025. The collection will be centered off of 2 sets of sneakers and a small capsule of apparel. Q: Finally, what advice would you give to other creators who are in the fashion field and would want to pursue a path like yours? A: Oh, I don't know if I'm the best one to be giving advice to other fashion creators simply because I'm also new to this space. I think to other people who are also starting out, I think it's really important. I'm still figuring all this out myself. It's really important to see how you're different from others because what I've noticed is that there are a lot of 'ifs'. I wouldn't say the fashion industry and streetwear industry is over-saturated. Because, if you were to say oversaturated, I think it means there are a lot of good ideas that are just, like, not able to compete because they're all so good. I think what happens with there's a large volume in terms of fashion and streetwear, I think it's very evident, and you don't have to be in fashion to know. I think everybody realizes there are a lot of fashion labels and clothes in the world, but I think the mistake is that people jump into it, not thinking it through and also not separating themselves from others. Golconda is an up-and-coming brand that teaches others to follow their dreams and have creativity expressed no matter where you come from. But it also teaches others to never give up on what you love and never forget where you come from. Check out their new collection in collaboration with 33.9 in Spring 2025 . Instagram: @shop.golconda, TikTok: @shopgolconda Q & A Disclaimer: This interview is lightly edited for grammar and clarity

  • Guide to Understanding the Stanley Cup Playoffs

    By Christina Winnegar With the 2025 Stanley Cup Playoffs that are now underway(April 19th), here’s a guide to understanding the game  through the eyes of a hockey fan so you can become the next puck expert.  What is the Stanley Cup Playoffs? The Stanley Cup playoffs is the annual elimination tournament to determine the winner of the Stanley Cup and the league champion of the National Hockey League (NHL). How does it work? The playoff format per the NHL  begins with the 16 qualifying teams. These 16 teams are pulled from the four divisions divided by the two conferences in the NHL(Eastern and Western). The four divisions are the Metropolitan/Atlantic(Eastern) and the Central/Pacific(Western).  The format is a set bracket that is division based with wild card slots. The top three teams in each division will make up the first 12 teams in the playoffs. The remaining four slots will be filled by the next two highest-ranked finishers in each conference, based on regular season records.  Seeding is determined by regular season point totals. For example if teams are tied for slots, criteria such as most regulation wins, most overtime wins, most wins overall, most points in games overall and between the tied teams, and the differential between points scored and points allowed between the teams.  Commonly practiced amongst professional sports leagues, the NHL has home-ice advantage through the first two rounds which goes to the team that placed higher in regular season standings. The games are played in a 2-2-1-1-1 format. Meaning, the team with the higher seed will host games one, two, five, and seven, and the lower seed will host games three, four, and six.  Each of the four playoff rounds is a best-of-7. Meaning the first team to win four games advances to the next round and the other team is eliminated. The First Round:  Per the NHL  the division winner with the best regular season record for each conference will be matched against the wild-card team with the lesser record. The wild card team with the better record will play the other division winner. The teams finishing second and third in each division meet within the bracket.  The Second Round: According to the NHL , first-round winners within each bracket play one another to determine the four teams participating in the Conference Finals. Conference Finals & Stanley Cup Final: For the Conference Finals and Stanley Cup Final, the NHL  gives the team with the better regular-season record home ice advantage. This is awarded regardless of the teams’ final standing in their respective divisions.  Now that you know the basics of the Stanley Cup Playoffs format, let’s learn about the basics of the game the playoffs stem from.  Intro to Ice Hockey: There are six players from each team on the ice at one time (A goalie, left/right wingers, a center, and two defenseman).  Due to the intensity of the game players are usually only on the ice for an average of about a minute before a line change occurs. You can also see the subbing of players during stoppages.  There’s sixty minutes of ice time in a game. Hockey is split into three periods (20 minutes on the clock each period). In between each period there are breaks called intermissions. During these breaks the team leaves the ice. At the end of each period after coming back from intermission, the teams switch sides (attacking a side for two periods, defending the other for one).  During the regular season, if a game is tied at the end of regulation there’s overtime . NHL overtime is played in a 3 on 3 format and whichever team scores the first goal, secures an overtime win. However if neither team scores during overtime, a shootout  happens. A shootout is where each team selects three shooters to participate in a three-round shootout. These players alternate shot attempts, skating down the ice facing the opposing goalie in a 1v1. Team with the most successful shots out of the three attempts, wins.  The regular season rules during regulation remain the same during playoffs. However the formatting of overtime is different. In the regular season, overtime consists of the five-minute 3v3 “sudden death” period. If neither team scores as explained above the game goes into a shootout. Now for playoff hockey, overtime is a 20-minute, 5v5 “sudden death” period. If neither team scores during the first overtime period, the periods will continue until a team scores and the game ends. There are no shootouts during NHL playoffs. Hockey Rink Diagram: The rink is divided into three sections by the two blue lines. The defensive zone  is where your goal is (highlighted in red). The offensive zone  is where the opponent’s goal is (highlighted in blue). The neutral zone is the zone in between the two blue lines (highlighted in yellow). The red line aligning with the goal is called the goal line . Players can play behind the goals in this line but not in the goal crease .  Positions in Hockey:  As previously mentioned, players are usually on the ice for only about a minute at a time before a “line change.” There are four lines in hockey, totaling to 20 players on an active roster, minus the goalies.  Positions consist of centers, wingers, defensemen, and goalies. In the six players on the ice there is one center, a left and a right wing, two defensemen, and a goaltender in the net. Responsibilities of a “Winger”: Each position has responsibilities to help carry out the game successfully for their team. The “wingers” also known as the forwards who fall on the left and right sides of the center responsibilities include:  Move the puck out of the defensive zone Help the center score goals Take passes from the other forwards  Score goals Prevent the opponent’s defenders from getting the puck Block shots and passes from the opponent Intercept passes and start breakaways for scoring opportunities  Responsibilities of a “Center”:  The “center” also known as the forward that falls center of the wingers responsibilities include: Score goals Complete passes Win faceoffs Support wingers  Collect rebounds in opponent’s goal area Keep the puck and opponents away from their goal Lead breakouts Switch quickly from attack to defense after puck loss  Responsibilities of a “Defenseman”: The defensemen fall behind the forwards with their own set of responsibilities that differ from the others. Their responsibilities include: Defend against opponent’s attacks  Stop passes Gain possession of the puck Control opponent's movements on the ice Clear rebounds from own crease Pass puck to attackers  Support forwards in their attack on the opposing net  Bring the puck out of their own zone In ice hockey two main terms that are extremely important to understand are forechecking  and backchecking . Forechecking refers to a team’s offensive players applying pressure to the opposing team’s defensemen in their own zone. However backchecking involves offensive players skating back to defend their own zone when the opposing team is breaking out.  Forechecking: Offensive pressure Turnovers creating opportunities  Dump & Chases Backchecking: Defensive transition Preventing odd-man situations Limiting scoring chances Rules/Faceoffs: When watching a hockey game the call you will see most commonly is icing . Icing is when the defense sends the puck over the center red line and past the opposing team’s goal line with no other player touching the puck. If a now-defensive player first touches the puck before the other team, then icing is called. The result of icing being called is a face-off in the now defensive end of the team who sent the puck, causing the infraction. There is a shorthand exception to icing. If a team is down a player due to a penalty then they’re able to clear the puck from their defensive zone without the infraction being called.  One of the most important rules in hockey is offside . Offside is when entering the attacking (offensive) zone, a player or their teammate crosses the blue line before the puck. If this happens, the play is dead and the result is a faceoff in the neutral zone.  There are five face-off circles on the ice (two on either side of the blue lines, four total, and one in the center of the ice, marked by the red line.)  For a faceoff, all players on the ice take up set positions around one of the face-off circles. Only two players are allowed inside of the circle during the faceoff. The location of the face-off circle is determined by the cause of the last stoppage in play.  Penalties:  A minor penalty  is the lowest severity of and lasts for two minutes. During a minor penalty the offending player is sent to sit in the box for two minutes. In certain cases if an offense is serious enough to warrant more than a two-minute penalty but not considered to be a major, officials may call a double-minor . This type of minor lasts for four minutes. Examples of this include: cross-checking, high-sticking, holding, & unsportsmanlike conduct. A major penalty  in hockey requires the offending player to sit in the penalty box for five minutes with no replacement. Officials may call a major penalty for the same offenses that are otherwise considered minors if they were severe enough and/or perpetrated with the intent to harm another player. Examples of this include: fighting, butt-ending, spearing, and boarding. Minors Majors Cross-Checking: When a player has both hands on the stick and uses it to deliver a check when no part of the stick is on the ice. High-Sticking:  When a player carries the stick above the normal height of the opponent’s shoulders and makes contact. Holding: Holding or grabbing a player, restricting their ability to play. Tripping: The use of a stick or leg to trip an opponent. Slashing:  Swinging a stick in a forceful motion and hitting another player. Elbowing:  Use of the elbow to foul an opponent. Charging:  When a player takes several strides to speed up when checking an opponent. Goalie Interference:  When an opposing player makes avoidable contact with the goaltender, either inside or outside of the crease. This is primarily a judgment call.  Butt-Ending: When a player uses the shaft of the stick, above the upper hand to check an opposing player. Boarding: Any illegal action that causes a player to be thrown into the boards. Misconduct: Any actions deemed worthy of an extended penalty (abusive language, challenging an official’s ruling, or intentionally disrupting the game). Spearing: When a player stabs their opponent with their stick. Fisticuffs: Fighting without gloves. Holding/Grasping Facemask Powerplay: A powerplay in hockey is when one team has the advantage of the number of players on the ice. The team that has the advantage, has an extra attacker out on the ice due to the infraction of the opposing team. That means instead of having six active players on the ice at one time, one side could only have four or five.  How does a team get a powerplay?  A team is put on the powerplay when a player from a team commits an infraction or penalty. After this, they’re sent to the penalty box and then the opposing team has an extra player on the ice for a limited amount of time (either two minutes or a five minute period).  How a powerplay ends: A powerplay ends before the time runs out if the team with the extra attacker scores a goal. This is only with powerplays from a minor penalty. If a team is put on the powerplay because a player from the opposing team commits a major penalty then the powerplay will continue regardless of how many goals the opposing team scores until the time runs out.  Types of Goals: Even-strength: An even-strength goal occurs when both teams have the same number of players on the ice. This type of goal typically happens during regular play when no team has an advantage.  Power-play: A power-play goal occurs when one team has the upper hand due to a penalty committed by the opposing team that results in an extra attacker for one side. Short-handed:  A short-handed goal occurs when one player is in the penalty box. It creates a “short-handed scenario” with only four skaters on the ice until the penalty time is up. It’s when the opposing team scores a goal, down a player. Empty-net: An empty net goal is shooting into an unguarded net. An empty net happens when a team pulls their goaltender to put an extra attacker out on the ice. This is used if the team desperately needs to score a goal at the end of the game and wants to put another player on the ice. Own: An own goal is when a player accidentally shoots, deflects, or tips the puck into their own net. Giving a point to the opposing team. Penalty-shot: A penalty-shot goal is called by an official when a player is unfairly prevented from having a clear chance at scoring during action. A penalty shot allows a shooter to attempt a 1v1 matchup with the opposing team’s goaltender without player interference.  Important Hockey Stats:  POS Position Defines one of the six spots on the ice occupied by the player. GP Games Played A player is credited with a game played if he steps on the ice for any length of time or serves a penalty  G Goals Awarded to players who last touched the puck on a goal by their team A Assists The number of goals the player has assisted. Meaning the player passed the puck to another who made a goal. PTS Points The number of points awarded to the player (goals + assists) +/- +/- Rating The +/- rating is calculated by giving the player a point for each even-strengthened or short-handed goal the team scores while he is on the ice. Then subtracting a point for each that the team scores. PPG Powerplay Goals The number of goals a player made while their team was on the powerplay SOG/SAV% Shots on Goal/Save Percentage The number of shots on goal/The goaltenders save % which is determined by dividing the number of saves by the number of total shots against them. SPCT% Shooting % Divide the number of goals scored divided by the number of shots taken. How to Calculate Stats:  GAA (Goals Against Average) Formula: goals against (game length/sum (goalie shifts)) The goals against average uses the period lengths that are set out in the season/division setting for the game length. SV% (Save Percentage) Formula: shots against/goals against  This is calculated by dividing the number of saves by the number of shots on goal. The save percentage is calculated in decimal form.  Hockey Vocab: Breakaway: In an attempt to score the puck carrier gets in front of all the opponents except the goaltender. Breakout: When a team comes out of its defensive zone and starts up the ice toward the opponent’s goal. Drop Pass:  The puck carrier leaves the puck behind for a trailing teammate to pick up. Forecheck:  Keeping opponents at their end of the rink while attempting to regain possession of the puck. Backcheck: Transitioning from offense to defense, getting back fast to stop an attack on your defensive zone by the other team. Freezing the Puck:  Holding the puck against the boards using sticks or skates. Hat Trick(Hatty):  Three goals scored by one player in one game. Gordie Howe Hat Trick:  The trifecta of collecting a goal, an assist, and a fight in a single game. Slap Shot:  Bringing the stick back and quickly forward, slapping the puck ahead. Stickhandling:  Carrying the puck along the ice with the stick. Wrist Shot: Flicking motion of the wrist to propel the puck off the blade. One Timer:  A shot that occurs when a player meets their teammate's pass with an immediate slapshot without any attempt to control the puck or their stick, to have a chance at scoring. Apple:  An assist Bar Down:  when the puck hits the bottom of the crossbar and falls across the line for a goal. Celly:  A celebration after a goal Chirping:  Trash-talking Clapper:  a slapshot Coast to coast: taking the puck all of the way down the ice (from defending side to attacking) Silky:  used to describe a player or player’s stick handling to be smooth Sin-bin:  the penalty box

  • Expansion Era: Why the PWHL’s Growth Is Just Heating Up

    By Jayne Kelly Disclaimer:  This article reflects personal opinions and is not affiliated with or endorsed by the Professional Women's Hockey League (PWHL), National Hockey League (NHL), or any official sports organization. Photo Owned by Hazze Media From the very beginning of the Professional Women's Hockey League ( PWHL ), when it was announced the league would start with six teams, many believed the organization would choose cities based on an Original Six -style format used by the National Hockey League ( NHL ). That was not the case. However, the PWHL does have teams established in four of the Original Six  cities: Montreal, Toronto, New York, and Boston. The league deviated from the NHL by placing teams in Ottawa — Canada’s capital — and in Minnesota, often referred to as the "State of Hockey." The league deviated from the NHL by placing teams in Ottawa — Canada’s capital — and in Minnesota, often referred to as the "State of Hockey." This leaves two key hockey markets untapped: Chicago and Detroit. Hockey has been part of these cities for nearly a century, with the NHL establishing in 1926. They’re both part of the Original Six and have a combined total of 17 Stanley Cups  ( Chicago , Detroit ). These cities are deeply interwoven with sports and boast passionate, loyal fan bases across all major leagues, not just hockey. One standout feature of the PWHL’s second season was the Takeover Tour . Through this tour, the PWHL visited cities across North America and saw record-breaking ticket sales, with 123,061 fans attending nine games. The cities visited (in order) were Seattle, Vancouver, Denver, Quebec, Edmonton, Buffalo, Raleigh, Detroit, and St. Louis. Vancouver drew the largest crowd, with 19,038 in attendance. Thanks to this overwhelming response from fans, the PWHL announced it will add two new teams by the 2025–26 season . Ownership groups are already placing bids to be selected as the league’s next host cities. We can likely eliminate cities that don’t have the infrastructure to support a professional franchise, which means we’re probably looking at cities that already support an NHL team, where the arena, resources, and fan base are already in place. The league is expected to add one team in the United States and one in Canada. Most current teams are located in the eastern half of North America, so it’s likely we’ll see at least one team out West. The top contenders? Vancouver, Seattle, or a city in California. California already supports three NHL teams, which makes it tough to narrow down to just one PWHL option. The Takeover Tour served as a valuable gauge of fan interest, with Vancouver emerging as the clear frontrunner after drawing the largest crowd. It’s safe to say this city is a top contender for expansion — it's easy to see how many fans want a team there. Of course, we can only speculate and hope our favorite city gets selected. What’s undeniable is that the PWHL caught lightning in a bottle with the Takeover Tour — it proved that the world is hungry for more women’s hockey. Even if the next team lands in Antarctica, fans would be just as excited and grateful.

  • Alec Benjamin - Live in Munich

    Photos by: Nadja Aumueller / March 24, 2025

  • Tucson Roadrunners shut out the Ontario Reign 3-0

    Gallery by Allison Cho The Tucson Roadrunners  shut out the Ontario Reign  3-0 on March 26, 2025, at Toyota Arena. Check out the gallery below to relive the action. These photos are owned by Hazze Media and the American Hockey League (AHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

  • Belonging Starts Here: How Chantal Brioux Is Building a Sisterhood in Sports

    By Holly Arend In an industry where women are often asked to prove themselves before they’re even seen, The Sport Sisterhood is flipping the narrative. What started as a craving for connection has grown into a movement—uniting hundreds of young women across the globe who are ready to take up space in sports, support each other, and redefine what belonging looks like. We sat down with founder Chantal Brioux to talk about the moment it all started, the power of community, and how The Sisterhood is helping the next generation of women in sports rise—together. Photos Provided by Chantal Brioux What inspired you to start The Sport Sisterhood, and what gap did you see in the sports industry that needed to be filled? I started The Sport Sisterhood because I was craving a space where women in sports could just be . Be real, be vulnerable, be celebrated. I kept meeting incredible young women doing amazing things across the industry, but we were all scattered, feeling like we had to prove ourselves in silos. I wanted to create a centralized community for young women that wasn’t competitive — it was collaborative, empowering, and built around connection. The gap wasn’t just lack of opportunity; it was the lack of belonging . The sports world isn’t always the easiest place for women—how is The Sport Sisterhood working to change that narrative? We’re flipping the script by rewriting the way women show up in sports, together .  From the collegiate level, we’re showing young women the power of community early in their careers. We connect them with industry professionals from across the globe, not just to inspire them, but to equip them with the skills, connections, and confidence they need to break into the industry. Beyond mentorship, we’re also giving our members a platform to showcase their work, build their portfolios, and gain hands-on experience that helps them stand out. Whether it’s writing, media, content creation, or event planning, we’re creating real opportunities for them to develop and sharpen their skills in a space that sees their potential before anyone else does.  Photos Provided by Chantal Brioux Since launching, what’s been a moment where you thought, “This is bigger than we ever imagined”? I will be the first to admit I am not a content creator (yet), and after one of our posts hit 1 Million views on Tik T ok, we had hundreds of women apply from across continents. I had a moment where I just paused - we went from fourty young minds to over 400 in the matter of minutes. We went onto a talk show, and professional teams like Toronto Tempo and AFC Toronto reposted our work and amplified our message. That kind of recognition showed us that the industry is not only watching — it's listening to its incoming trailblazers. And honestly, it’s not just the big names. Sometimes it’s the quiet DMs that hit hardest, like “I landed a role because of a Sisterhood connection,”  or “I finally feel like I belong here.”  That’s when I realized we’re on the path toward building a movement. Community is at the heart of what you do—how do you foster real, meaningful connections both online and in person? It all starts with creating spaces where women in sports can just be —whether that means celebrating a big win, venting about a tough loss, or learning about a sport they’ve never followed before. Our sports chats are where those conversations happen. Some of our members are die-hard fans, others are just getting into the game, but no matter where you fall on that spectrum, you always have a place in the discussion. Then there’s our Sisterhood Snapshot Calls (which are some of my favorite moments). These are small-group mentorship sessions where recent grads who are earlier in their professional careers share their experiences with those coming up behind them. It’s real talk, no gatekeeping, just women helping women navigate an industry that doesn’t always make it easy. And that’s what makes The Sport Sisterhood so special. We’re all on different paths, but we’re united by one goal: making sure no woman in sports ever feels like she’s in it alone. That’s what turns a network into a   sisterhood. Photos Provided by Chantal Brioux You’ve already supported major initiatives like Arsenal Women’s period campaign—how do you choose which causes to champion, and why are they so important to your mission? We align with causes that reflect the real, lived experiences of women in sport. Menstrual equity, mental health, pay equity, and access to opportunity aren’t just issues — they’re everyday realities for so many of our members. If it’s something that would’ve helped us feel seen earlier in our journeys, we champion it. We also listen — our community leads the charge and we respond to what they care about most. If someone joins The Sport Sisterhood today, what can they expect? What kind of support and opportunities do you offer? Whether you’re in high school, college, grad school, or pivoting mid-career, we’re here to support you. Members get access to bi-weekly chats with women across the industry. Offering a chance to introduce yourself, ask questions, and build mentorship relationships in a more personal way. We also offer exclusive panel access, discounted games, and Sisterhood-run events as part of our membership program. Plus, through tutorials, workshops, and portfolio-building projects, we help you build your brand, prep for interviews, and feel confident stepping into the sports world. Our goal is to help you discover what moves you, and support your journey there with the strength of sisterhood.. We know that girlhood means showing up for each other, so we’re here to lift you up and cheer you on every step of the way.  Photos Provided by Chantal Brioux What are some common challenges women face breaking into sports, and how do you empower your members to overcome them? Women face imposter syndrome, lack of access, gatekeeping, and the pressure to constantly prove their worth. At The Sisterhood, we tackle those challenges head-on by providing tools, mentorship, and community. When you see women like you thriving in roles you dream of, it suddenly feels possible. We remind each other that we are not alone, and we never have to do it alone again. Who are some women in sports that inspire you and embody the values of The Sport Sisterhood? Ahhh there are SO many. People like Kayla Grey, Haley Rosen, and Candace Parker — women who despite being in the public eye, continue to lead with authenticity and aren’t afraid to take up space. But I’m also inspired by the everyday leaders in our community. My mentor, Alisa Ermarkaryan, who continues to inspire me to be a voice for young women in the industry, members of The Sisterhood who began mentoring each other, female coaches at the grassroots level encouraging little girls to stay in sport. They all embody Sisterhood: bold, kind, and unstoppable. Collaboration seems to be a big part of your DNA—if you could work with any brand, team, or athlete, who’s at the top of your list? Right now, Arsenal WFC is at the top of our list. We’re huge fans of how they’ve been pushing the women’s game forward and would love the opportunity to collaborate with them to amplify our shared passion for women’s football. As a Canadian, women-founded company, we’re also really excited about building a deeper connection with the NSL and its teams. There’s so much potential to grow women’s sports locally, and we want to be part of that movement, supporting the rise of Canadian women in sports both here and globally. As a former high-performance soccer player, I’m especially excited to see so many young Canadian superstars take centre stage. Photos Provided by Chantal Brioux You’ve built something special—what advice would you give to other women looking to create space for themselves in industries that aren’t always welcoming? Don’t wait for permission. If the space you want doesn’t exist, build it . You don’t have to have it all figured out, you just need purpose, people, and persistence. Lean on community, lead with heart, and remember: you belong in every room you walk into, even if you’re the first one there. What’s one thing you wish more people understood about the experiences of women working in sports? That we’re not asking for special treatment — we’re asking for equal opportunity. That looks like pay equity, safety, respect, and real pathways for growth. We bring value, perspective, and heart to every part of the industry, we just want a system that recognizes it. Photos Provided by Chantal Brioux Beyond the events and panels, how do you see The Sport Sisterhood evolving in the next five years? I see us becoming the go-to network for young women in sport globally, with international summits, and our own mentorship and media platforms. I want to be sitting in the stands at major championships across the globe with Sisterhood members working in every part of the arena: media, ops, partnerships, and everything in between. What has surprised you most about the impact of The Sport Sisterhood on both members and the broader sports community? What has surprised me most is how quickly our members have turned into powerful advocates for each other. The way they support one another, share opportunities, and lift each other up has been incredible. It’s created a ripple effect not only within our community but also in the wider sports world, showing just how much strength and potential there is when women come together. How do you balance being professional and still having fun while building a brand that’s pushing for real change? We don’t believe those things are mutually exclusive. Our tone is always warm, real, and a little cheeky because we’re building a space that feels like your group chat and your boardroom at   the same time. We take our mission seriously, but we never lose our joy or sense of play. That’s what keeps us going. If you had to sum up The Sport Sisterhood’s mission in one sentence, what would it be? Can I do one word? If so, I would say belonging. We create a space to empower women in sports by creating a supportive community where they can connect, grow, and champion each other’s success. Photos Provided by Chantal Brioux The Sport Sisterhood isn’t just a network—it’s a revolution in cleats and sneakers, blazers and broadcast booths. It’s proof that when women are given the space to show up fully, support one another, and share their stories, the entire game changes. As Chantal Brioux’s Sisterhood continues to grow, one thing is clear: the future of sports isn’t just bright—it’s bold, inclusive, and unmistakably hers.

  • Sports Girls Club: Redefining the Game for Women in Sports

    By Holly Arend Male voices have long dominated sports media, but Sports Girls Club (SGC) is changing the narrative. Founded on the belief that sports should be inclusive, trendy, and consumable for women, SGC is creating a space where female fans, athletes, and professionals can thrive. “Sports Girls Club is a home for women who like, play, or work in sports. We bridge the gap in sports media in a way that’s trendy, feminine, and consumable,” said Delaney Galbraith, founder of SGC. Photos provided by Delaney Galbraith For many members, discovering SGC was a turning point in their careers. Simran Sandhra recalls how she stumbled upon the community: “I remember getting told that doomscrolling wouldn’t do anything for me, but little did I know it would lead me to SGC. One night, while watching a Leafs game, I found SGC on TikTok, and everything clicked. It gave me the guidance, support, and courage to dominate in this male-dominated industry.” As Women’s History Month shines a spotlight on progress, SGC members emphasize that the celebration shouldn’t be confined to just one month. “Looking back at the women who paved the path for us is so inspiring. But while we celebrate the progress we’ve made, we also have to push for more,” said Breanna Ebisch. That push for change is a central mission for SGC. Events like their annual conference provide a rare opportunity for women in sports to connect in a space where they are not the minority. “At previous jobs, I was mainly surrounded by men,” said Jenna Stickel. “Being around women in sports feels like home. We all share the same overall goal: to succeed as women in a male-dominated industry.” Photos provided by Delaney Galbraith Visibility is key to breaking barriers. “It’s not a boys’ club anymore. It’s a (Sports) Girls Club too,” Galbraith emphasized. “Women in sports want the same respect and opportunities that men have. We want to amplify voices until we no longer have to—because equality is the standard.” But challenges remain. Gender biases, lack of representation, and proving credibility are hurdles many women in sports still face. “I’ve dealt with it all, but staying focused on my passion has helped me push through,” said Carley Bauckham. “Each challenge fuels my commitment to making sure future generations face fewer obstacles.” Women in sports deserve year-round recognition, not just in March. “Jessica Campbell made headlines this year as the first full-time female coach in the NHL. But before her, media coverage of women in hockey coaching roles was almost nonexistent,” said Ebisch. “Highlighting women in sports should be constant, so young girls see what’s possible.” Photos provided by Delaney Galbraith Part of that storytelling means showing the reality behind the glitz. “Working in sports isn’t just about the glamorous moments on social media. It’s the long hours, the behind-the-scenes work that makes those moments happen,” Sandhra added. Looking ahead, SGC members hope to see an industry where women’s achievements are celebrated equally. “I want young girls to look up to female athletes and see them valued for their skills and success,” said Bauckham. “I’m excited to be part of a movement that promotes and supports the next generation.” Beyond media, SGC is expanding into fashion with its lifestyle apparel brand. Designed for the girl on the go—whether heading to a game, practice, or a big meeting—the brand embodies the sporty, chic, original, and driven lifestyle that SGC represents. Photos provided by Delaney Galbraith Through content, community, and now fashion, Sports Girls Club is making it clear: Women belong in sports, and they’re here to stay. For more on SGC, visit   sportsgirlsclub.com .

  • ROLE MODEL: No Place Like Tour - Live in Nashville

    Photos + Written by: Orchee Sorker | March 8, 2025 ROLE MODEL brought an electrifying performance to Nashville on his *No Place Like Home* Tour, turning the venue into a passionate sea of fans, signs, and coordinated fan projects. The energy was undeniable from the moment Debbie Dawson stepped onstage, delivering a heartfelt opening set that set the tone for the night. Her warm vocals and soulful storytelling captivated the crowd, making her an excellent choice to kick things off. When ROLE MODEL emerged, the atmosphere erupted. His setlist blended his signature emotional depth with infectious melodies, taking the audience on a rollercoaster of feelings. The show opened with "Writing’s on the Wall," pulling the crowd into his introspective world. Fan-favorites like “Scumbag” and “Oh, Gemini” had the crowd screaming every lyric. One of the most unforgettable moments of the night came when he performed “Sally, When the Wine Runs Out”—and to the crowd’s shock and delight, *Sally* for the night appeared -- Ashe. Ashe, the acclaimed singer-songwriter and friend of ROLE MODEL, made a surprise guest appearance, sending the audience into an absolute frenzy. Their chemistry onstage was undeniable as they brought the song to life in a way that felt playful. Nashville fans who got to witness the song performed in its authentic form. He then transitioned into “The Longest Goodbye” and “Old Recliners,” both of which highlighted his more reflective side. From start to finish, the Nashville stop of the *No Place Like Home* Tour proved just how dedicated ROLE MODEL’s fanbase is. The sea of handmade signs, coordinated cheers, and unrelenting energy made the night feel like a true celebration of his music. Whether it was his introspective lyrics, smooth stage presence, or the electric connection he had with the audience, ROLE MODEL knows how to put on a show and will give his fans the best experience!

  • Maine Mariners Earn 5-3 Victory Over Adirondack Thunder

    Gallery by Holly Arend The Maine Mariners  secured a 5-3 win over the Adirondack Thunder  on March 23, 2025, at the Cross Insurance Arena. Check out the gallery below to relive the action. These photos are owned by Hazze Media and the East Coast Hockey League (ECHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

  • Florida Everblades Secure 4-2 Win Over Orlando Solar Bears

    Gallery by Christina Winnegar The Florida Everblades  took down the Orlando Solar Bears  with a 4-2 victory on March 15, 2025, at the Kia Center. Relive the action through our gallery below. These photos are owned by Hazze Media and the East Coast Hockey League (ECHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

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