by Allison Cho Mackenzie Murphy’s journey through hockey is defined by passion, perseverance, and drive to grow the game at every level. From a childhood spent competing with his big family to representing Syracuse Club Hockey and launching The Hockey House, his story tells one of leadership, adaptability, and innovation. Whether he’s balancing academics and athletics or building a platform to reshape club hockey coverage, Mackenzie has continued to find ways to elevate the sport he loves. Now, as a key figure at Celly Hockey Co., he remains dedicated to fostering hockey culture, and at the same time, he’s carving out opportunities for players and fans alike. His path is a testament to the power of storytelling, community, and staying true to one's passion.  Photos Provided by Mackenzie Murphy Growing up in a household with seven hockey-playing siblings sounds like a storybook upbringing for an athlete. Can you share what that dynamic was like and how it shaped your passion for the game? The dynamic was something I will forever be grateful for. On any given day, there was always some combination of knee hockey, street hockey, and wiffle ball. Growing up that way, I just assumed everyone had the same experience–it was like PE class 24/7. We did everything as a family. It was interesting going from the little brother in the house to all of a sudden being the oldest kid in the house once my older brothers went off to college. I went from never winning those knee hockey games to always winning those knee hockey games.   Playing multiple sports like lacrosse and baseball often brings a unique perspective to athletes. How did those experiences contribute to your overall athletic development and success in hockey? Playing sports was just what we did. Once one season ended, another one began. Playing different sports helped me develop as a leader. In each sport I played, I had a different role on the team, which gave me a better perspective as I got older, was in a leadership position, and had to understand the role everyone on the team plays. I also learned at a young age the importance of having endurance. No matter what sport I played, I never wanted to be the guy who ran out of gas. Sports like soccer and lacrosse had a huge impact on how I approached hockey.  High school hockey in New Hampshire has its own competitive edge and culture. What was your experience like playing at that level, and how did it prepare you for the next steps in your career? High school hockey in North Conway, New Hampshire had that Friday Night Lights  feeling. My older brothers were on the first Kennett High School team to win a state championship. They went on to win three of the next four titles, so my age group grew up with the expectations and dreams to do the same someday. Playing high school hockey taught me the importance of community and brotherhood. I had played with most of those guys since I was four or five years old, getting to play high school hockey with them was something I’ll never forget. Putting on the Kennett jersey, you took great pride in the community you represented, something that carried over when I got to college, the opportunity to put on the Syracuse jersey. Junior hockey and prep school both offer distinct opportunities for growth. Can you walk us through your decision to pursue prep school and how that path influenced your journey? I was very involved in high school. I played three sports, was the student body president, and a member of several different clubs and honor societies. It was easy for me to choose going to prep school versus doing a year of juniors. I always liked the structure that school provided and thought a place like Bridgton Academy would better prepare me for college. I’ll forever be grateful for my time at BA, because without my year there, I would’ve never found a home at Syracuse. My guidance counselor recommended I look into Syracuse because she knew I wanted to play hockey somewhere and major in communications. I had never heard of the Newhouse School until then, and I had no idea Syracuse even had a hockey team. It ended up being a perfect fit for me. Photos Provided by Mackenzie Murphy Representing the Syracuse Club Hockey team must have been a special chapter in your life. What did it mean to you to wear that jersey, and what advice would you share with players considering the club hockey route? Getting the opportunity to represent Syracuse University was an experience I’ll never forget. There were a lot of ups and downs behind the scenes, but I learned a lot. We were constantly looking to gain more respect from the university and constantly striving to be one of the best run club sports on campus. During my sophomore year, I had the opportunity to design our new jerseys, so being able to put on the Syracuse script was a true honor. In terms of players considering the club hockey route, I would tell them that they’ll have the opportunity to make the most of their experience. Club hockey is very much player driven. The most successful teams are filled with players looking to leave their program better than they found it. Syracuse University is known for its strong academics and athletic programs. Why did you choose Syracuse, and how did your time in the communications program shape your career aspirations? I chose Syracuse University after taking a tour in January of 2019. It was out of my comfort zone in terms of size and distance from home, but I immediately fell in love with the school once I stepped foot on campus. I remember it being dark and gray, and since it was winter break, there were no students on campus, which didn’t matter. I loved the rink, and I loved what Newhouse had to offer. Once I got accepted, I knew I’d have a spot on the hockey team in the fall–it was a no brainer. Newhouse provided me with plenty of tools, but it was my experiences outside of the classroom that I think shaped my career aspirations. I enjoyed my time as a social media intern for the athletic department. Between my work in the classroom and work with the athletic department, I knew I wanted to work in social media. Social media plays a huge role in sports today. How did managing Syracuse Club Hockey’s social platforms prepare you for your current roles and responsibilities? I had previously managed social media accounts for the sports teams I played on. When I did it in high school, it was more of a hobby. I wanted to promote my high school hockey team to try and get more fans to our games. When I did it for the lacrosse team, it was more about having a fun outlet when the season wasn’t going our way. When I got the keys to the social media for @syracusehockey I quickly discovered how big of a recruiting tool it could be for the program. TikTok was becoming increasingly popular at the time, and I used it to tell the story of the Syracuse Club Hockey team. The role with Syracuse Club Hockey helped me develop the storytelling aspect of social media. Every brand has a story to tell and it’s going to affect what gets posted and how it gets posted.  Balancing academics, competitive hockey, and building The Hockey House is no small feat. How did you manage it all, and what lessons did you take away from that experience? Sticky notes! In my room in college, my desk would be littered with sticky notes to keep track of everything I needed to do. For the most part, I fell back on my experiences at Bridgton Academy. Every night, we had two hours of study hall with no phones. So when it came down to business, I would set a timer for two hours and lock my phone away. The quiet floors of the library were also a go-to spot on Sunday afternoons if I really had to get to work. It was all about finding balance. If I wasn’t feeling productive, I would change whatever location I was working from in favor of something that would allow for me to focus. The nice part about our hockey schedule was that it was pretty consistent from week to week, so I typically had the same time slots to work on homework or Hockey House content. Photos Provided by Mackenzie Murphy Playing for the Syracuse Club Hockey team surely came with its share of memorable moments. Can you share a favorite on-ice or off-ice memory that still stands out to you today? One of my favorite memories from my time on the hockey team at Syracuse was our trip to Colorado. We flew out there my freshman year for three games. The first night I didn’t play very well, but I ended up scoring my first collegiate goal the following night and we ended up sweeping the weekend. I’ll never forget flying out there for the trip. Aside from the U-Haul driving out gear to and from the rink, we felt like NHLers. The Hockey House emerged during a challenging time in the world. What inspired you to launch it, and how did the pandemic influence its early direction? As I got settled into the ACHA, I became more and more fascinated by the different schools around the league. During the summer of 2020, I was listening to an episode of Spittin’ Chiclets, and they interviewed a former club hockey player who made it to the ECHL. I remember he had some pretty crazy stories about his time in the ACHA and thought it would be cool to hear more stories from around the league. It was then I came up with the idea to start something similar to cover the ACHA and club hockey. I started the podcast in September 2020 and had plenty of time to get the project off the ground. Because of the pandemic, Syracuse didn’t allow any club sports teams to participate at the time. Luckily, there were a small handful of club hockey teams that were allowed to compete, so we took great pride in covering them when the podcast launched. The podcast has come a long way since 2020. How has it evolved, and what do you think has been key to its success and growth? Since the podcast has started, we’ve always wanted to provide the latest news and updates on the club hockey world from a player's perspective. Although the goal hasn’t changed, the biggest addition we made was bringing on our executive producer David Herman. In the early days of the Hockey House, I was doing everything, from editing the podcast to writing the notes to creating the social media posts. When Herm came on, it allowed me more time to create engaging social media content, while also giving our podcast listeners the best experience. Every podcast has standout episodes or guests. Do you have a favorite moment or guest from The Hockey House that left a lasting impression? One of my favorite episodes was with current Arizona State Head Coach, Greg Powers. Greg played at Arizona State when they were a member of the ACHA. He took over as head coach of the program and helped elevate the team to NCAA Division I status. He offered great insights about college hockey and shared our vision for wanting to keep growing the club side. Photos Provided by Mackenzie Murphy Building a platform like The Hockey House isn’t without its challenges. What obstacles have you faced along the way, and how did you overcome them? The biggest challenge for the Hockey House has always been time. The passion has been there since Day 1, and we’ve found that when we have the time to do so, there’s always club hockey content to share. That second year of the podcast, when we returned to playing at Syracuse, I remember it being a challenge to balance growing the podcast and keeping up with my school work. Fast forward today with my current job, it’s a similar story. I’m still getting used to the limited hours I have to work on recording episodes and creating content. For me, it’s all about creating the best content with the time I’m given. The planning process for a podcast is as crucial as the final product. How do you approach deciding on topics and selecting guests to feature? We like to record for at least an hour, so in terms of prepping, we fill the notes sheet with an hour’s worth of talking points. When we record more frequently, we typically have to search for headlines, but when we haven’t recorded in a while, it can be easier for those headlines to fill up the hour slot. In terms of guests, we try our best to find players or coaches from relevant schools. For instance, after UNLV upset Denver, it was a no-brainer to have one of their coaches join the show and recap the monumental win. Was there a defining moment when you realized The Hockey House was making an impact on the hockey world and resonating with its audience? In 2022, we had the opportunity to go to the ACHA National Championships in St. Louis. It was the first time that Herm and I got to represent the podcast at an event. The ACHA was gracious enough to give us all-access passes and cover our meals and hotel room for the week. Getting to be there in-person to cover the event was an experience I’ll never forget. I bought us blank black hoodies and had a local screen printer put the Hockey House logo on the front. People were constantly coming up to us in St. Louis, thanking us for the coverage. It was such a great experience, we were invited back to do the same thing in 2023 and 2024. Looking ahead, what’s your vision for the future of The Hockey House and its role in the hockey community? Not sure what’s next for The Hockey House! I'd love to be able to pass it down to someone who’s just as passionate about growing club hockey as I am. I enjoyed being able to create content from the perspective of a player and would love for someone else to have that same opportunity. The college hockey landscape is constantly changing, especially on the club hockey side. It’s been cool seeing how big of a role The Hockey House has played in terms of club hockey awareness.  Photos Provided by Mackenzie Murphy Celly Hockey Co. has made waves in hockey culture. Which product has been your personal favorite so far, and why does it stand out to you? Since I joined Celly Hockey Co., we’ve strictly stuck to creating hats in the hockey industry. My personal favorite has been our collaboration with the PWHL. I’ve been a fan of the league since it first debuted and having the opportunity to work with the league to design hats for each of the six teams was a great experience. We knew the hats were going to be a hit with the fans, and it was great to see the reaction they received when they went on sale. With our office located just outside of Boston (Norwood, Massachusetts), it was especially cool seeing the Boston Fleet hat sellout online within 4 hours. Starting a podcast or business can be daunting. What’s the best piece of advice you would offer to someone considering taking that leap? If you have fun doing what you’re doing, then you’ll never have to take a leap. Like I mentioned, The Hockey House was never supposed to be a business. I thought we’d release a couple of episodes and maybe get 1,000 people to follow our Instagram page. We had fun creating club hockey content and have consistently grown our following ever since then.  With everything you’ve accomplished so far, what are your career aspirations for the next five years, and how do you plan to achieve them? In five years, I’d still love to be working at Celly Hockey Co. Our brand has experienced huge growth in the last year as we’ve entered the collegiate licensing space. I don’t know what college hockey will look like five years from now, but I’d love to think that The Hockey House is still kicking and providing hockey fans with the best club hockey coverage. Outside of business, I would love to be coaching. I’ve always wanted to get into coaching and use my experiences in the hockey world to help shape the future minds of the game. Looking back on your journey, what’s one piece of advice you would give your younger self about pursuing your passions and carving your own path? I would tell my younger self that you can’t do everything. To this day, I find myself saying yes to every project. I’m grateful for the projects I’ve taken on, but at the end of the day, I’ve learned you can never go wrong making time for yourself. Mackenzie’s journey, from player to storyteller to industry innovator, reflects his unwavering commitment to growing the game of collegiate club hockey. Through The Hockey House and his work with Celly Hockey Co., he has amplified voices of players, but he also shaped the culture in a new and exciting way. His passion for the game goes beyond the ice, creating opportunities for players, coaches, and fans to connect, celebrate, and continue pushing hockey forward.  Thank you so much for sharing your story, Mackenzie! It was a pleasure speaking with you. If you’re interested in hearing more about The Hockey House , their podcast can be found on Youtube . Celly Hockey Co. offers a unique selection of hockey merchandise, ready to find its next home among passionate fans and players. Disclaimer: The thoughts, experiences, and opinions shared in this article are solely those of Mackenzie Murphy and are based on his personal journey. They do not necessarily reflect the views of any organizations, sponsors, or institutions that Mackenzie may be associated with. To ensure accuracy and maintain context, Mackenzie Murphy reviewed this article before publication. Unauthorized reproduction or distribution of this material is strictly prohibited. For any inquiries or concerns regarding this article, please contact info@hazzemedia.com .

Interview by: Camila Molina / Photos by: Kelsey Runge / May 10, 2024 Caroline Romano, the emerging alternative and pop artist behind tracks like "Doesn't Matter," is gearing up for her tour, supporting notable acts Grayscale and Smallpools. From the unforgettable moment of receiving the offer, to exploring different creative approaches, Caroline reflects on her journey from her very first live performance to now in an interview with Hazze Media Magazine.  Tell me about your upcoming tour. What was your initial reaction when finding out about the possibility of this tour? This tour supporting Grayscale and Smallpools will be my first tour ever, so getting the initial offer was an insane moment for me.  I got the call when I was sitting in the parking lot of a Kroger before a recording session, and I remember just saying “no way, thank you so much” over and over again. Then, I called my mom and told her I was going on tour. How have you been preparing for the tour? Do you have any “pre-show rituals” you want to share with us today? There have been a lot of rehearsals and rearranging the setlist to be the best possible.  I love preparing for any show, and prepping for this tour has been such an incredible experience.  I’d say my favorite pre-show ritual is just sitting anywhere alone listening to a song on my headphones. Those moments kind of feel like a walk out song moment to me, and they really help put me in the right headspace.  Tell me about your first time performing live. What has changed over time? What do you love and hate about playing live? What do you plan to change regarding performing when it comes to this tour? My first memory performing live was at a local showcase in Mississippi when I was 10 or 11 years old. I played “Mean” by Taylor Swift on guitar, and I remember my hands shaking every time I switched chords. I also remember just feeling more free and like myself than I ever had before.  My show now is definitely a lot more confident and dynamic, but I still get that same feeling of total freedom every time I perform.  The biggest thing I hate about performing is when it’s over. It’s a comedown from this indescribable high, and all I can think about is when I get to  do it again. I love everything about performing live. Whether it's for 25 minutes or an hour, it’s the time where I most feel like myself. I’m not changing much for this upcoming tour besides the songs I’m playing. Every time I step on a stage, I just try to make it better than the last time. You're playing at some really iconic spaces often referenced in music history when it comes to emerging artists, such as your last tour stop at Antone’s Nightclub in Austin. What are you most nervous about? What are you most excited about? I’m always nervous about how the set will be received and if people like the music. That’s also the exciting part though, getting to play in front of brand new audiences and crowds for the first time.  How does it feel to be touring with two other notable emerging artists in pop, indie, and alternative music? What is your relationship with both Grayscale and Smallpools? It’s an incredible feeling and such an honor to get to support these two incredible bands on tour. They’re both so influential in the sphere of music I make and listen to, so it's genuinely crazy that I get to go out on the road with them. Your recent press release through Tallulah mentions that you have “effortlessly transitioning between misty-eyed ballads and fiery alt-rock anthems.” What would you currently describe your music as?  I would describe my current music as very extreme in its range of emotions and overall sound. I definitely gravitate towards writing either really sad and angsty built-out songs or ones with minimal production and strange cadences.  I feel a little bit all over the place in my life, and I think my songs definitely reflect that. Your newest song, “Doesn’t Matter,” is drawn from personal experience. Do you ever feel anxious to release something so vulnerable to the world? Are you ever nervous about the reaction? How do you overcome the fears, if any, that come with releasing music that is so raw and authentic? There’s definitely some level of anxiety for me that comes with releasing any song, as anything I write is tied to some level of vulnerability. I think I’m able to overcome that though just by reminding myself that the most vulnerable, raw music from other artists are the songs I hold most dear to me. That’s the kind of music I want to be releasing.   How is this release different from your previous work? What makes it so special to you? “Doesn’t Matter” is very different from the past few previous releases of mine production wise. It’s very minimal and odd, and it’s sort of a long, run-on sentence of a chorus. The song itself sounds sort of undecided as to what it actually is, and that’s the emotion I wanted to capture. It’s like, “I’m not really sure what this thing is, but I think I like where it’s going.” You’ve mentioned using a “stream of consciousness” style of writing, expressing whatever you're mentally grappling with in lyrics. Tell me more about your songwriting process, specifically, the process for writing “Doesn’t Matter.” “Doesn’t Matter” was a really fun song to write because I didn’t try to make it anything it wasn’t. My friend John and I sat down one day in January, and he started making this super cool loop. I wrote the entire chorus in a few minutes just based on how it made me feel and what those sounds reminded me of. We recorded the whole thing in just a few hours. It was one of those songs I didn’t premeditate writing, it was really all just a stream of consciousness, in the moment thing. I love that the end product reflects that. You use music to communicate with your audience in really honest and profound ways. However, what is some advice for those going through heartache right now that you may not have already said through your songs? Conversely, what advice do you want to give to fans nervous about falling in love as they enter new relationships? I can’t claim to be the best at dealing with heartache, but what I think I have gleaned from my experiences with it is that hope isn’t a bad thing. It’s very easy to become closed off after a wound like heartbreak and, at least for me, very discouraged at the thought that something better could ever come along. However, I find that hope and faith is the one thing that continues to open the door to healing and in time, new opportunities and relationships. Faith doesn’t make you naive, it makes you brave. I think the same thing goes for people falling in love or anyone currently entering into a new relationship. It is okay to be cautious, but hope and walls falling down isn’t always a bad thing. Sometimes things just are good and they do work out. I’m someone who often assumes the worst, so I have to remind myself of that. Are there any other projects you’d like to share with us today? I’m currently working on another EP for release later this year, so I’m excited to start rolling that out in the next few months! You can listen to "Doesn't Matter" here ! It is available now on all major streaming platforms.

Interview and Photos By: Camila Molina Q and A disclaimer: Responses are lightly edited for grammar and clarity Q: Tell me what inspired your newest release, "Stay the Weekend." What was going on in your life when you made that song? A:  Well, I wanted to make a summer song really badly. I feel like I play a lot during the summer, so I wanted something that I could travel with. I also wanted to do something that marked a new era for me as an artist because I haven't really put out tons of music. That was my intention. I was doing sessions, and at the end of sessions, I would say, "Should we just try writing something for me? See what we come up with?" I have a bunch of close collaborators who are down to do that. This was a session we set up with me, Zhone, and NOVODOR, who I did the Troye Sivan song with. I think it was around 11:00 a.m. or 10:00 a.m., which is so early for sessions, but we were all really comfortable with each other and friends, so it was easy. It just kind of sparked, and at the end, I thought, "I want this song for me." That’s what ended up happening with it. I feel like it's a really good representation of my bid for a summer anthem, what I think a summer dance anthem should sound like. Q: Beautiful. If you had to tell me about one of your most memorable collaborations, which one would you share with me? What’s your favorite collaboration? A: There are a lot of collaborations that haven’t turned into material yet or aren’t out, but I hope they will come out one day, and I can say those ones. This collaboration was really meaningful because I felt really safe and comfortable. It came out of us having fun. Anytime I work with Zhone and NOVODOR, like when we originally wrote the first version of "Rush," just the three of us, and then Troye and Leland, his close co-writer, came in and made it the song that it is. Anytime you can do something that’s really chill and fun and turns into magic, those are always special to me. Sometimes there’s just something in the room that makes a really good song happen. Those are my most special. Q: Thank you. You sold out your GovBall After Dark performance. What was the highlight? A:  Oh, man. I really thought no one was going to come, so the highlight was selling it out. It was such a great night. I haven’t ever sold tickets to a show before by myself. Obviously, I had special guests, but I’ve never headlined a show, so I was really nervous and not sure who was going to be there. The people that came, I felt like these are my people. It was so reassuring. I felt free to be myself, and that’s what people were there to see. The highlight was being able to bask in the fact that people were there to see me do what I do, so I didn’t have to consider anything else. Super cool. Q: On your Instagram, you combine the sound of two icons, Stevie Nicks and Chappell Roan. What other artists have influenced you musically, and why? Who else inspires you? A: A lot. Growing up, I loved Jock Jams, this high-energy, cheerleader music before cheerleader music existed. Those compilations had Real McCoy, Black Box, and other classics. I always loved that music and try to bring some of that energy into my own music. I’m inspired by everything. I always look for and find stuff, old and new, that inspires me. Right now, I’m listening to a lot of Lana [Del Rey] . I just love Lana. There are those temple artists like Lana and [Lady] Gaga. It's so gay, but all the divas I love forever. Q: Why music? When did you decide to be a musician? A: I’ve been tiptoeing around doing this for a long time. I’m kind of a late bloomer. I’m 32. I work with a lot of young people, and I’m proud of it. It has benefited me to enter into my career with more life experience and an ability to not take things so seriously. I’m still dramatic, but I’ve always wanted to make music. I think I was scared to do it. I would learn how to play an instrument, work at music magazines, booking agents, and management companies. Even DJing wasn’t quite it. Ultimately, music has always made the most sense to me. It’s what I love and gives me a feeling that nothing else does. When I figured out writing, it opened up my world. Writing a great song is the best feeling ever, like a runner’s high. It took me a while to figure it out, but music has always been what I love and what makes the most sense to me. Q:  Last question. Thanks for sitting with me. Is there anything else you want to tell the fans? What’s next? A: There are some exciting gigs coming up that I can’t talk about. The girlies will find out later, and they will be pleased. I’m making more music, DJing more, traveling, and connecting with people who like what I do. I’m super excited about where things are at right now with me and music. There are a lot of cool artists and movements happening. I’m excited to keep going and growing what I do.

By Christina Winnegar & Allison Cho Reese Lambe’s mission to reshape the conversation around mental health is rooted in personal experiences, empathy, and a deep desire for real change. As the founder of The Busy Brain Podcast , she has created a space open to honest discussions about mental health and the importance of prioritizing it instead of simply encouraging. From her early experiences working with high-needs children to navigating the pressures of competitive hockey, Reese has firsthand experience of how mental health impacts every aspect of life, especially in overlooked environments. Her journey is more than just awareness; it’s about redefining strength, breaking stigmas, and fostering a culture where vulnerability is seen as a powerful tool for growth. Photos Provided by Reese Lambe You founded “The Busy Brain Podcast,” hoping to normalize conversations about mental health and build a community where people feel comfortable talking about it. How has hosting “The Busy Brain Podcast” changed your own perspective on mental health, and what’s one memorable moment or story from a guest or listener that reaffirmed your mission?  In the short time that I’ve been consistently creating content—whether through my podcast or social platforms—I’ve had the opportunity to connect with so many incredible individuals. Hosting The Busy Brain Podcast has completely shifted my perspective on mental health. It’s one thing to know that people struggle, but it’s another to hear firsthand how universal those struggles really are. The biggest lesson I’ve learned is that so many of us are experiencing the same emotions, challenges, and intrusive thoughts—but for so long, no one was talking about them. There isn’t just one story that stands out above the rest, because, truthfully, I’m overwhelmed by the support from both friends and strangers who relate to the conversations I have. I’ve had guests open up in ways they never expected, and I’ve had listeners reach out saying an episode made them feel understood for the first time. That’s exactly why I started this—to create a space where people feel safe enough to be honest about what they’re going through. Seeing that impact in real time has only reaffirmed my mission to keep these conversations going.  You’ve emphasized the importance of recognizing individualized mental health needs, rather than adopting a 'one-size-fits-all' approach. By referencing ‘The Orchid and The Dandelion’, you’ve illustrated how biological differences influence our emotional and behavioral responses. With your experience working with children with high needs, how do you envision incorporating this understanding into the broader conversation around mental health in spaces where it’s not currently normalized?  Emphasizing individuality has completely shaped how I approach mental health conversations. My short time working in group care exposed me to the profound impact that a deeper understanding of oneself can have on personal growth. I saw firsthand how some 13-year-old clients, equipped with the right support plans, had greater emotional intelligence than some adults. That experience reinforced my belief that mental health isn’t just about coping—it’s about understanding the ‘why’ behind our emotions and behaviors.  Learning about individualized mental health needs early on gave me the language and framework to process my own experiences. It taught me that our biological, physiological, and emotional differences shape how we react to life’s challenges, and recognizing that can be transformative. In spaces where mental health isn’t normalized, I see an opportunity to shift perspectives. If we create a culture of understanding, patience, and openness. Rather than a ‘one-size-fits-all’ model, we can start to see mental health as just as unique as the people experiencing it. That’s how we make real change. Photos Provided by Reese Lambe You mentioned resenting the “asking for attention” stigma around mental health. How do you think we can collectively change that narrative?   The stigma that talking about mental health is just “asking for attention” is one of the biggest barriers preventing people from reaching out for help. It’s frustrating because we don’t apply that same mindset to physical health—no one questions someone for seeking treatment for  a broken bone, yet when it comes to mental struggles, there’s often this underlying judgment. That’s something we need to change. I think the biggest way to shift this narrative is through education and conversation. The more we openly talk about mental health—whether it’s athletes, influencers, or everyday people—the more we normalize it. We need to stop framing vulnerability as attention-seeking and instead recognize it as strength. Being open about struggles isn’t about looking for pity; it’s about finding support, healing, and showing others that they’re not alone.  As individuals, we can also be more mindful of how we respond when someone shares their struggles. Instead of dismissing them or assuming they’re exaggerating, we should listen, validate, and support them. When people feel heard rather than judged, they’re more likely to continue the conversation, which ultimately helps break down the stigma.  Changing this narrative won’t happen overnight, but every honest conversation, every moment of empathy, and every person who speaks up helps move us in the right direction. The goal isn’t just to raise awareness—it’s to create a culture where no one feels ashamed to ask for help.  Mental health struggles can often feel isolating, even when we have support from those around us. Based on your own experience, what steps can we take to better support our communities and foster more open conversations about mental health with our loved ones?  As someone who has struggled to open up about my mental health, even to those closest to me, I know how isolating it can feel—even when you're surrounded by support. At times, I didn’t fully understand what I was going through, and for someone who loves to have all the answers, that was frustrating. That’s why learning more about mental health became so important to me—it gave me a sense of understanding and helped me realize I wasn’t alone.  One of the most valuable things I’ve learned is the importance of communication. It’s not always easy to explain what I’m feeling in the moment. To truly support our communities and foster open conversations about mental health, we need to create spaces where people feel safe expressing their struggles without fear of judgment. That starts with listening—really listening. Instead of trying to fix someone’s feelings or minimize their experience, just let them be heard.  Remind the people in your life that they don’t have to go through it alone. The more we have these conversations, the more we normalize them, and the easier it becomes for people to ask for help when they need it. Photos Provided by Reese Lambe The emphasis you placed on the importance of support around us, while also recognizing that only we, as individuals, can truly lift ourselves from rock bottom, was incredibly impactful. Having lived through this lesson yourself, how did your personal experience shape this mindset for you?  From the outside, my life looked great. I had two loving parents, an older brother, a younger sister, and a chaotic, fun-filled childhood. I played competitive hockey, and my teammates were easily one of my favorite parts of the sport. By all accounts, I should have been your average middle school girl. But the summer before seventh grade, I experienced trauma that I tried so desperately to forget.  No matter how much support I had around me—friends, family, a full life—there were moments when it felt like none of it mattered. But that’s the thing about mental illness. It distorts reality, taints the way you see yourself, others, and can make you feel completely alone, even in a room full of people who love you.  At 13, I felt hopeless—more than I ever had in my life. Looking back, I realize it wasn’t just the struggles themselves that made me feel that way. It was not knowing that I had any power over them. I didn’t understand that what I was feeling was normal, that it was okay, and most importantly, that I wasn’t broken. That realization shaped everything for me. It taught me that no matter what I have in my life, I can never outrun my own mind. I have to be the one to pick myself up. Support systems are crucial, but the real work starts within. You played competitive hockey from a young age through high school, including during COVID. How did that experience shape your perspective on mental health, work ethic, and approach to challenges?  Playing competitive hockey from a young age through high school taught me so much about discipline, teamwork, and resilience—both physically and mentally. The sport became a huge part of my identity, and I loved the structure it provided. But as much as I loved hockey, there were also challenges that shaped my perspective on mental health in ways I didn’t expect.  COVID, in particular, changed everything. The sudden loss of routine, connection, and competition was a shock. It made me realize just how much of my mental well-being was tied to the sport—not just the games, but the team environment, the consistency, and the purpose it gave me. Without it, I struggled, like so many athletes did. But that experience also forced me to confront my mental health head-on. It showed me that I couldn’t rely on external factors to define my self-worth or stability.  Hockey also taught me that work ethic isn’t just about pushing through challenges—it’s about learning how to adapt. Whether it was balancing school, training, or personal struggles, I had to develop the discipline to keep going even when things felt overwhelming. That mindset has carried into everything I do now, from content creation to my studies to navigating life’s uncertainties. It reinforced that setbacks aren’t failures; they’re opportunities to build resilience.  Ultimately, my experience in competitive sports taught me that mental toughness isn’t about ignoring emotions—it’s about understanding them, learning from them, and finding ways to keep moving forward. Photos Provided by Reese Lambe The sports industry and many others have an issue of hiding behind a face and only highlighting the “fakeness” on social media. What inspired you to pull back the curtain and reveal the real side of yourself, the sports industry, and social media?  As athletes, we’re trained to push through adversity, stay focused, and perform at our best no matter what. But what often gets overlooked is the mental side of the game—the pressure, the self-doubt, and the emotional toll that comes with competing at a high level.  Playing competitive hockey, I saw firsthand how much athletes keep to themselves. The locker room can be a place of camaraderie, but it can also be a place where struggles go unnoticed because everyone is expected to "tough it out." I’ve been in that position myself—surrounded by teammates yet feeling completely alone. That experience shaped my vision for creating open and honest conversations about mental health, both in sports and in everyday life.  Social media plays a huge role in this, too. We see the highlights—the game-winning moments, the celebrations, the perfectly curated training videos—but we rarely see the behind-the-scenes struggles. The long hours, the setbacks, the pressure to perform, and the mental exhaustion are just as real as the victories. That’s why I’ve made it a priority to pull back the curtain and share both sides of the story.  My goal isn’t to tear down the idea of mental toughness—it’s to expand what it means. Being mentally strong isn’t about ignoring struggles; it’s about recognizing them, working through them, and knowing that asking for help is just as important as pushing yourself to improve. If we can start having these conversations more openly in sports, we can create an environment where athletes feel supported both on and off the ice.  “What if I opened my phone and my life wasn't the only one that sucked?" really resonated with me. How do you think social media’s growth has both helped and hurt the mental health of those struggling? And how do you stay vulnerable and true to yourself, sharing your authentic journey, when many creators only showcase their “highlight reels”?  Social media is a double-edged sword. On one hand, it’s given people an outlet to connect, feel seen, and realize they’re not alone. When I first started sharing my experiences, I saw firsthand how powerful it was for someone to open their phone and see a creator being real—showing the messy, unfiltered parts of life. It breaks down the illusion that everyone else has it all figured out.  But at the same time, social media can be incredibly damaging when it becomes a highlight reel of perfection. The constant comparison, unrealistic beauty standards, and curated lifestyles can make people feel like they’re falling behind. That’s why I’ve made it a priority to show up authentically. I don’t just share the wins—I talk about the struggles, the self-doubt, and the mental health challenges because I know someone out there needs to hear it.  Staying vulnerable online isn’t always easy, but I remind myself why I started. I want my platform to feel like a safe space, not another place that makes people feel like they’re not enough. The more we normalize real, unfiltered conversations, the more we shift the culture of social media from perfection to connection. Photos Provided by Reese Lambe Your values align closely with Hazze’s mission of focusing on the individual in the sports industry, looking beyond jersey numbers and stats. How do you think athletes and other sports industry professionals can better recognize the importance of mental health, and what steps can the industry take to prioritize and normalize these conversations?   Athletes are often seen through the lens of their performance—stats, wins, losses, and physical ability. But behind every jersey number is a person, and their mental well-being plays just as big of a role in their success as their physical training does. The sports industry has made progress in acknowledging mental health, but there’s still work to be done in truly prioritizing it at every level.  The first step is recognizing that mental health isn’t separate from performance—it’s a core part of it. Just like athletes train their bodies to compete, they need to train their minds to handle pressure, setbacks, and the emotional demands of their sport. Coaches, organizations, and even fans can help shift this perspective by encouraging open conversations and treating mental health with the same seriousness as physical injuries. Instead of waiting until an athlete is struggling, teams should integrate mental wellness practices into their culture from the start.  Beyond the athletes, sports industry professionals—coaches, media, trainers—also play a huge role in changing the narrative. The language we use matters. Avoiding phrases like “mentally weak” or dismissing emotional struggles as just part of the game can help create an environment where athletes feel comfortable speaking up. When industry leaders set the tone for prioritizing mental health, it trickles down to the athletes and changes the culture as a whole.  At the end of the day, mental toughness isn’t just about pushing through—it’s about knowing when to ask for help, learning how to manage pressure, and understanding that true strength comes from balance. If we want to see athletes succeed at their highest level, we need to take care of the whole person, not just their performance.  It was a true pleasure speaking with someone as insightful as you. The impact you're having in opening up conversations about our internal struggles will only continue to grow over time. Do you have a final message for someone who is struggling, or for anyone who knows someone facing challenges, particularly within the athletic world, where there is often stigma around seeking support?  First, if you’re struggling, I want you to know that you are not alone. No matter how isolating it may feel, there are people who understand, who care, and who want to support you. Struggling with your mental health doesn’t make you weak—it makes you human. And being an athlete doesn’t mean you have to push through everything on your own. Strength isn’t just about endurance or performance; it’s about knowing when to ask for help and recognizing that your mental well-being matters just as much as your physical health.  For anyone who knows someone facing challenges, the best thing you can do is show up for them. Listen without judgment, remind them that they don’t have to go through it alone, and be patient. Sometimes, support isn’t about having the perfect words—it’s about making sure they know you’re there.  In the athletic world, the stigma around seeking support still exists, but change starts with conversations like these. The more we normalize mental health, the easier it becomes for athletes to speak up and prioritize their well-being. No game, no championship, no external success is worth sacrificing yourself. You are more than your sport, more than your performance, and you deserve to take care of yourself—not just as an athlete, but as a person. Photos Provided by Reese Lambe Reese’s mission with The Busy Brain Podcast  has always been to use her voice to share her personal experiences and break the stigma surrounding mental health, especially in areas that often go unspoken. Through her platform, she strives to raise awareness and offer practical advice drawn from firsthand experience, guiding us on how to better support our loved ones, friends, and figures we look up to.  Thank you so much for sharing your story Reese! It was a pleasure speaking with you. If you’re interested in hearing more about Reese’s story, The Busy Brain Podcast can be found on Youtube  and Spotify . Disclaimer: The thoughts, experiences, and opinions shared in this article are solely those of Reese Lambe and are based on her personal journey. They do not necessarily reflect the views of any organizations, sponsors, or institutions that Reese may be associated with. To ensure accuracy and maintain context, Reese Lambe reviewed this article before publication. Unauthorized reproduction or distribution of this material is strictly prohibited. For any inquiries or concerns regarding this article, please contact info@hazzemedia.com .

Gallery by Christina Winnegar The Orlando Solar Bears were defeated by the South Carolina Stingrays 5-1 on Monday night at the Kia Center in Orlando. Explore our gallery below for a visual recap of the game's top moments. These photos are owned by Hazze Media and the East Coast Hockey League (ECHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

By Holly Arend Hockey has long been rooted in tradition, but Off the Boards is proving there’s room for innovation—especially when it comes to fashion. Founded by Olivia Martone and Lexi Molaro, the brand blends hockey culture with modern streetwear, offering fans and athletes a new way to express their passion for the game. Through bold designs, strategic collaborations, and a strong sense of community, Off the Boards is carving out its place in the sports fashion industry. Photos Provided by Off the Boards Co. Off the Boards aims to make hockey more fashionable. How do you envision the evolution of hockey culture as it intersects with broader fashion trends? I think, as we’ve seen with other sports, mainly the NFL and NBA, many of the athletes strive to make fashion statements when deciding on game day outfits. The NHL athletes have mainly stuck to the traditional suits. I think that going forward, we’re going to see fashion infiltrate the NHL like it has in those other professional sports. We’d love to be the first stepping stone for NHL athletes and fans to embrace more fashion trends. What has been the most impactful feedback you’ve received from fans about your designs, and how has it influenced your product development? Our first critics were actually the guys on the team we do media for. We brought printouts of our designs to practice and asked for honest opinions and critiques. Being that we are two women, we wanted opinions from the male demographic as well. Our brand aims to be gender-fluid, so it was very important to us to get honest male opinions as well. They were not shy with their feedback, and we were very grateful for that. We were told that some of our first designs were “cheesy” or that they would never wear them. This definitely influenced our design process going forward, and even now ,we sometimes bring designs into practice for additional opinions.  Photos Provided by Off the Boards Co. Collaboration seems vital in sports. Are there any athletes or influencers you dream of working with to elevate Off the Boards? We’re both big fans of Tate Mcrae, and being that she’s had such an impact on the hockey world, I think she would be the dream. Her style is truly so inspiring how she mixes sporty pieces with high fashion, which is what we strive to create through our clothes. How do you balance your passion for hockey with the challenges of running a business, especially in a competitive market? This year, I (Liv) got my first job with an NHL organization, and Lexi has a job as well. We still do media with a D1 program and pursue OTB, so our weeks are certainly busy, and it takes a lot of time management. Hockey is not a 9-5 and neither is running your own business, so I think we are used to not having a conventional schedule. We put all our extra time into fulfilling orders and building the brand.  Photos Provided by Off the Boards Co. As a female-led brand, how do you see your role in empowering other women in sports and entrepreneurship? Within recent years, we’ve really started to see a lot of women making their mark in the sports industry in the most innovative ways. This past year, people have reached out to us on Instagram, email, LinkedIn, etc., asking to work for us or asking how we got started in sports, and that is just surreal. Just under two years ago, I was the one reaching out to get started, and now the fact that people trust us to give them guidance in how to get their career started is a feeling unlike any other. I hope other women can see what we’ve done so far in so little time and be inspired to follow their dreams even if they seem far-fetched.  What unique challenges have you faced as young entrepreneurs in the hockey merchandise industry, and how have you overcome them? Not that this would be considered a unique challenge, but we recently came across a thread of people on the internet who had negative things to say about how our pieces looked despite not owning a piece of our clothing. Obviously this can be initially upsetting because we invested our own money into the production, and every piece is made by us personally. We press every hoodie, sew every tag, and put so much thought into where we source the products. We can honestly say with confidence that we have NEVER had a customer reach out to us unhappy with the quality of the product they purchased so that alone is enough to let the negative comments  Photos Provided by Off the Boards Co. Can you share a moment when you felt a strong connection with the hockey community through your brand? I think the fact that probably 98% percent of our customers are people we don’t know personally makes us feel most connected to the hockey community. Being tagged in videos of people wearing one of our pieces to the first day of their hockey internship, or being at work at a college or NHL game and looking in the crowds and seeing people wearing our merch is the most insane thing to us. Our clothing is with people as they make their own memories and milestones in hockey and I think that alone makes the work we do worth it.  How did the idea for Off The Boards  initially come about, and what inspired the transition from a joke to a serious business venture? After meeting and doing socials for the LIU Men’s hockey team, we were working at the rink one-night doing an inventory of the team merchandise and both agreed we could design cuter things. In college ,Liv majored in Business and Lexi majored in Fashion Merchandising and from a young age we both dreamed of owning our own clothing business. We decided that now would be the best time to actually try pursuing this considering we both don’t have full-time jobs yet and you’re only this young once so now is the time to try everything.  Photos Provided by Off the Boards Co. You launched in May 2024—how did you build traction for the brand on social media leading up to that launch? Before we even launched, we built a pretty good community on TikTok. We started by teasing some of our designs. We also gave some insights about what kind of brand we are and began introducing our personalities on TikTok as well because we want Off the Boards to be OUR brand, not just another random company with no faces attached to it. What was the initial feedback from friends and teams when you first showed them your designs? How did their input shape the final product? We owe everything to our friends and family. Without their ongoing support, Off the Boards would have never even started, let alone be where it is today. From day one, we’ve always shown them our designs and business plans and have always gotten honest feedback, which we consider highly and grow from.  Photos Provided by Off the Boards Co. How has the hockey community, including players, women in sports, and even partners of athletes, supported you in building Off The Boards ? Off the Boards has been a tremendous way to network throughout the hockey community in ways we didn’t think possible. We developed a strategy of targeting athletes that would be willing to promote our brand, which spiraled into a huge growth in our following. It is interesting because, based on who is purchasing our product,s we find Instagram has primarily attracted our male customers while TikTok has a different approach. We keep up with current trends through our clothes which often draw in female consumers. We try to make fun designs that reference pop culture/the hockey world that still fit into our minimalist styles. It was through TikTok that we were able to build a strong base of female customers. You mentioned receiving support from the University of Michigan and Shane Pinto—how important has their backing been, and in what ways have they contributed to your journey? We are extremely grateful for the acceptance from them because they really opened us up to the hockey community. They knew nothing about us or our brand but decided to take a chance on us anyway. Every time one of them posts a piece of our merchandise, it exposes us to more people and expands our community even more.  Photos Provided by Off the Boards Co. What barriers do you think exist between fans and athletes, and how does Off The Boards  aim to break these down through storytelling and community engagement? Something I really love about our brand is how so many people we’ve talked to feel so connected to it. It really is a brand for the people, no matter who you are. Every time a fan or an athlete posts our merchandise, they are now a part of our journey. Every person who posts in OTB opens up the brand to even more people, whether they have a lot of followers or not. Both fans and athletes are integral parts of our story. We want to make pieces that are accessible to everyone.  As Off the Boards continues to grow, its impact reaches beyond clothing—it’s about shifting the culture of hockey itself. By bridging the gap between athletes and fans through fashion, storytelling, and engagement, Liv and Lexi are building more than a brand; they’re shaping a movement.

Photos by: Nadja Aumueller | January 27, 2025

Photos by: Nadja Aumueller | February 19, 2025

by Allison Cho Trace Young’s journey in basketball is a testament to the power of perseverance, faith, and dedication. From his earliest days on the court, it was clear that basketball was not just a game to him—it was a platform for growth, self-discipline, and learning. Trace has always been committed to putting in the work, whether it’s through relentless training or overcoming obstacles. His story is about more than athletic talent—it’s about the mindset that propels him forward and the belief that success is built on daily effort and unwavering focus. Can you share the journey that led you to join LSU for your fifth and final collegiate season? A lot of people believe that the reason I transferred to LSU was because of the brand and NIL opportunities to make money associated with it. But it had nothing to do with that. I loved CSU and my coaches and teammates as well as the environment and fan base were amazing and I would not have traded those experiences for the world. My decision to transfer was really a God thing. My faith is something that is extremely important to me and when I felt called to leave something so great I knew it must be for a purpose. I entered the portal and narrowed my schools down to the University of Texas, Clemson, Michigan, TCU, and LSU. LSU was appealing to me because it has a strong fanbase, successful athletics, and unique culture. More than anything, though, I felt like this was where the Lord was directing me so I took a leap of faith.  What has been the most challenging part of transitioning to a new team for your last year? One of the most difficult parts of transitioning to a new team for my last two years was understanding that I would be sacrificing minutes that I have worked my whole life for. After working my way up the roster for my first few years at CSU I was starting to build more trust from my coaches and develop a more significant role in games. I knew that leaving a program and starting over at an even higher level in the SEC, those minutes would be scarce. I had to realize that basketball was such a small part of who I am and what I am trying to accomplish in life and that this move was for a greater purpose beyond the court.  Photos Provided by Trace Young and Brand Limitless What lessons have you learned from transferring between schools and adapting to new teams? Transferring schools has taught me a lot of lessons. The first, and most important, one would be to have complete unwavering faith in Jesus. Moving across the country to a new place and being expected to perform well instantly requires a lot of self-security and confidence which I get from God and who I am through Him.  Can you tell us about your vertical jump achievement at Colorado State and how it reflects your work ethic?   When I was younger I was always obsessed with being able to dunk. I remember I would get off the bus from school in just 5th grade, run home, and throw my backpack on my front porch. I would do hundreds of box jumps on this bench in my front yard until I couldn't jump anymore. This became a routine and I was the beginning of my jumping addiction. After this my dad got a basketball hoop for our driveway outside my house and he would lower the rim so that I could just barely dunk. He would periodically raise the rim without me knowing and before I knew it I was dunking on 10 feet my summer after finishing 8th grade. In high school, I started growing in confidence above the rim and was always trying to get higher and get new dunks. When this foundation mixed with my first two years of D1 workouts came together I noticed I was dunking easier and getting higher than I ever had. We tested our vertical jumps before practice one day and I sprang up in front of my team and coaches and reached 46 in (the highest in Colorado State athletics history). I think that was just a testament to how staying consistent and truly loving the growth of something can help you reach heights you never thought you could.  You mentioned battling some injuries during your career. How did you overcome those injuries and come back with a positive mindset? Injuries are always an athlete's worst nightmare. Multiple years of constantly jumping and landing off of one leg caused my hips to be unaligned and resulted in me tearing my lower abdominal muscles as well as my groin. This was my first year transferring to LSU and was very difficult for me to overcome because I was excited to show what I could do and contribute as much as I could but the Lord had other plans for me. I spent most of last year doing rehab after my surgeries and trying to regain strength and mobility in my core. I understood that the transferring and injuries mix would prohibit me from most in-game opportunities I had but I didn't want that to stop me from being the best teammate that I could be. Again, my faith in Christ helped me realize that my value was not in my performance on a basketball court but in who He created me to be as a person.   How has your close relationship with your family, especially your sisters, influenced your journey?   My dad has always pushed me to be the best version of myself that I could be and instilled a disciplined mindset in me regardless of the circumstances that I was in. My mom has always been the most supportive person in my life. When it came to deciding what school to go to or any major decision I've been faced with, she has never failed to remind me that I am loved and no matter what, the Lord will guide and provide. My older sisters have been my rocks through it all. Tyler and Tatum are always checking in on me and watching all of my games. They are my best friends and I don’t know where I would be without them.  Photos Provided by Trace Young and Brand Limitless Your sister Tatum is an accomplished triathlete. How has her success inspired you? Tatum loves to tell people that she was the best athlete in the family but that isn’t true. She was an Olympic triathlete for Team USA and completed her first half Ironman at 14 years old so I’ll give her credit. She has inspired me in many ways. I remember seeing her wake up before 5 in the morning every day before school to go train. She would train directly after school as well and would get home late just to get started on her homework. I saw her doing this and began doing the same. I began to understand what it takes to truly stand out athletically.  Playing four instruments is an impressive feat. What instruments do you play, and do you plan to continue playing? I can play the piano, guitar, drums, and ukulele. I just got a saxophone as well and am planning on learning more. Music has been a way that I have used to decompress and wind down after the strenuous schedule of D1 athletics. I also love to create so it provides a creative outlet to express myself as well.  What inspired you to start creating content, and how has it evolved with platforms like TikTok and Instagram? I started making videos from a young age with my iPod touch and a 1st generation GoPro. My neighbors and I would make trickshot videos and skits and anything to capture content. I just fell in love with the idea of capturing memories and being able to create and relive them. This was before likes and followers were a thing but the pure art of creation. I continued this and my content improved drastically. Once I got to college and TikTok and algorithms started trending, I noticed a lot of my videos performing really well and gaining followers. The NIL rules then changed and I realized that I could make a real living doing this.  Photos Provided by Trace Young and Brand Limitless Your content creation interest started with your iPod touch, loving the idea of being able to capture moments and being able to relive them. How has your gear/techniques improved over the years? Go to camera? Do you have any advice for someone who wants to get into content creation? I started with an iPod touch and an old GoPro. I was using them so much and my mom got me a starter camera for Christmas one year. This helped me adapt to learning how to truly operate a camera and edit. I currently use the Canon R3 for most of my content. If I had tadviseto someone who wants to get into content creation, I would say to just be authentic and create what you love to create. Don’t get discouraged by likes or performance and do what you love.  You’ve built a significant following on social media. What’s your secret to staying authentic while growing your brand? Whether I am gaining good publicity and people are saying positive things to me, or people are being negative, I always remember a quote that my mom used to always tell me; “thinking too highly of yourself is pride, and thinking too low of yourself is insecurity, neither honor God.” This is something I always come back to in order to stay grounded and be true to myself regardless of anything that people say.  What has been the most rewarding part of capitalizing on NIL opportunities? The most rewarding part of capitalizing on NIL opportunities has been to financially thrive throughout this busy schedule of athletics and school. Juggling a job with this schedule and being able to make significant amounts of money is such an amazing blessing.  How does music fit into your creative endeavors, and what role does it play in expressing yourself? Music is another way that I love to express myself along with my content creation. I used to battle with anxiety and had a very difficult time sleeping at night. My mom never wanted me to rely on any medications to cope with this so I began playing piano. Music is a natural relaxant and has been a way that help me unwind and relax after the strenuous schedule that I have. I have also picked up the guitar, drums, and ukelele over the years and its music has turned into one my my biggest passions.  Photos Provided by Trace Young and Brand Limitless You were a part of “The Money Game: LSU” series by Amazon Prime. What was your experience filming and discussing NIL contracts with other athletes: Jayden Daniels, Angel Reese, Flau'jae Johnson, Livvy Dunne, and Alia Armstrong? Being selected to star in The Money Game was an honor and such an amazing experience. I have been friends with the other athletes included in the documentary since I transferred to LSU, but this process has brought us closer than ever. Being a part of this LSU athletics community and seeing these people every day made me forget that I am in the company of national champions, Olympians, and Heisman winners. Being alongside such talented and genuine people, along with the amazing production crew, has helped me create lifelong relationships that I will cherish.  “You have nothing to prove, just somebody to be” is an inspiring quote. How has this mindset influenced your outlook on life and basketball? Realizing that you really have nothing to prove, and just somebody to be is something that I have been trying to remember recently. Competing at this Power 5 level of athletics has shown me that our significance for the school and fans, just like most things in life, is based on our performance entirely. And if you aren’t performing the way you’re expected, they will find somebody who will. This is a lot of pressure and I have to remind myself that, while I give this opportunity everything that I have, God has placed me here to be somebody and not to perform a certain way.  Your faith is a big part of your identity. How do you translate your faith and identity into your brand, and how do you portray yourself to the world? My faith is the most important aspect of who I am and I want to portray myself in the way that God created me to be. I think that social media gets a bad rep because there is a lot of comparison and negativity that can come from it. I believe it can also be used as a tool for good, though, and that’s what I have been trying to do.  How has your relationship with Jesus shaped your path on and off the court? My relationship with Jesus has shaped my path both on and off the court drastically. My walk with God has shown me that I am loved and can go through life confidently knowing that this is only our temporary home, but that one day we will be with God for eternity.   When facing adversity, what role does prayer or spiritual reflection play in helping you stay grounded? I believe that prayer is one of the most important practices that somebody can do. Whether it is seeking wisdom on how to navigate the future, reflecting on the past, or just sitting in His presence, having the opportunity to spend intimate time with the creator of the universe is a gift that is so often overlooked.  Photos Provided by Trace Young and Brand Limitless Are there any Bible verses or teachings that resonate with you during tough moments in your life? Romans 12:2 “Don’t copy the behavior and customs of this world, but let God transform you into a new person by changing the way you think. Then you will learn to know God’s will for you, which is good and pleasing and perfect.” How do you balance the expectations of being a D1 athlete with staying true to your faith and values?   I think that the modern-day culture of D1 athletics is very distant from God. It is so easy for us athletes to get consumed in the status and money that we forget what is most important. Prioritizing and being extremely intentional with my time has been something that I have had to do in order to remain grounded. Ensuring that I am getting quality time with God regardless of my busy schedule has been key.  What advice do you have for young athletes struggling with self-doubt or pressure, especially when it feels overwhelming? One quote that I always remembered was, “Do your best and let God do the rest.” I would tell this to younger athletes struggling with self-doubt because it is a good reminder that if you put in the time and work harder than others, and then leave the rest to God then you know that whatever happens is part of His plan for you.  With this being your final season, what’s next for Trace Young, and how do you hope to leave a lasting legacy? I will continue to create content because it is one of my passions but I will also be working more consistently with a company that my dad and I started when I was in high school called Ballogy. It helps give kids opportunities to get noticed by colleges and continue their athletics and education beyond high school as they develop. Regardless of where God takes me in location or occupation, I want to continue spreading the good news of Jesus Christ.  As Trace continues his journey, he remains grounded in his values, with a clear focus on his purpose. For him, it’s never been just about making it to the next level—it’s about staying true to himself and to the process. With his eyes set on the future, Trace knows that the hard work, faith, and resilience that have shaped his journey will continue to guide him as he strives for greatness, both on and off the court. Thank you, Trace, for sharing your inspiring story with us. We’re excited to see where your journey takes you and are rooting for you every step of the way! Disclaimer: The thoughts, experiences, and opinions shared in this article are solely those of Trace Young and are based on his personal journey. They do not necessarily reflect the views of any organizations, sponsors, or institutions that Trace may be associated with. The NIL (Name, Image, and Likeness) opportunities mentioned here are shared from Trace’s own perspective and are not endorsements. Before making any decisions based on the content, it’s always a good idea to consult with a professional advisor. To ensure accuracy and maintain context, Trace Young reviewed this article before publication. Unauthorized reproduction or distribution of this material is strictly prohibited. For any inquiries or concerns regarding this article, please contact info@hazzemedia.com .

For immediate release | Dallas, TX [02/11/2025] [Dallas, Texas] – In a bold move to redefine the media and marketing landscape, HAZZE MEDIA has acquired Cube Marketing, accelerating its expansion into a fully integrated creative agency that merges marketing, media production, and talent management under one roof.  “This acquisition marks a new era for HAZZE MEDIA,” said Ezzah Rafique, CEO & Founder of HAZZE MEDIA. “Cube Marketing’s strengths in digital marketing and brand strategy align perfectly with our mission to merge media production, marketing, and brand development into a powerhouse. We are excited to strategically scale faster, innovate further, and deliver high-impact solutions for brands, talent, and businesses in fashion, sports, entertainment, and more. With the ever-evolving digital landscape, Hazze Creative Agency is dedicated to fulfilling the vision of creating impactful, storytelling-driven campaigns while bridging the gap between modern marketing and organic creativity.” With this acquisition, HAZZE MEDIA is poised to become an all-in-one powerhouse for brands, athletes, artists, and businesses seeking cutting-edge content production, digital marketing, and strategic brand growth as an all-in-house service powered by a rising youth visionary team. To lead this next phase of growth, Hisham Ahmad has been appointed as Chief Operating Officer (COO), bringing strategic innovation and operational business development knowledge. Hisham Ahmad states, “I’m honored to have Cube Marketing merge with the innovative powerhouse that is Hazze. Marketing is applied creativity, a means to bring to light the bold ideas of the future. The merger with Hazze always made sense. Both teams aren’t in the game of promotion but rather, reside in that dynamic space where we constantly push the needle forward for artists, innovators, and thought pioneers. Marketing is the gateway from possibility to action, where the right story has the power to transform an idea into a game-changing solution for clients.” A NEXT-GEN CREATIVE AGENCY: INTEGRATING MEDIA, MARKETING & MANAGEMENT With the acquisition of Cube Marketing, HAZZE MEDIA’s Creative Agency now delivers a comprehensive suite of services, designed to help brands, creators, and businesses thrive in today’s fast-evolving digital world. These include: Content Production & Media Services Full-Scale Video & Photo Production – Content with still, long, and short-form content with in-house editing for campaigns, advertisements, short films, commercial public projects, & more. Podcast Network Development –strategy development, asset creation, digital marketing, editing, analytical reporting, and distribution across major platforms. YouTube & Digital Series Production – Industry-specific content, interviews, and personality-driven series. Representation & Management Brand Development & Strategy – Helping emerging talent and influencers build a strong niche, crafting branding visual identities , & tailored website development for brand growth Digital Marketing – Connecting clients with high-value partnerships, SEO Optimization, & streamlining PPC and SMM campaigns PR & Media Strategy – Supporting talent beyond their statistical career moments & editorial-focused public relations campaigns Paid Press, Advertising & Experiential Marketing Paid Press Placement – Articles in HAZZE Magazine, business/industry profiles, and PR-driven op-eds. Advertising Opportunities – Print and digital ads in HAZZE Magazine, podcast sponsorships, and paid social campaigns. Event Marketing & Sponsorships – Strategy and execution for large-scale brand activations. The acquisition positions HAZZE MEDIA as a powerhouse for brands seeking high-impact marketing and creative storytelling, while continuing to champion diverse and underrepresented perspectives in media. To learn more, please contact info@hazzemedia.com or visit www.hazzemedia.com . 555 Republic Dr Suite 211A, Plano, TX 75074

By Hazze Sports Photo Taken by Holly Arend The AHL All-Star Classic brought the heat, delivering non-stop excitement as the league’s brightest stars showed off their skills on a night packed with speed, precision, and power. Fans were on the edge of their seats as players battled through jaw-dropping competitions and fierce divisional matchups. From blazing speed in the CCM Fastest Skater, where Matthew Savoie  left everyone in his dust, to pinpoint shooting in Silvercrest Accuracy Shooting dominated by Dalibor Dvorský , the talent on display was unreal. The Inglaso Puck Control Relay highlighted next-level stickhandling, while Fortune Tires Rapid Fire kept goalies on their toes. The arena shook with the power of Trevor Carrick  in the CCM Hardest Shot, and the Silvercrest Pass and Score event was a masterclass in teamwork. It all came down to the Upper Deck Breakaway Relay, where players pulled out all the stops with creative, highlight-reel moves. The night wasn’t just about speed and skill; the goalies put on a show, too. Dennis Hildeby  and Michael DiPietro  stood tall between the pipes, earning recognition as the event’s top goaltenders with jaw-dropping saves that left shooters shaking their heads. And when it was all said and done, Kevin Korchinski stole the spotlight, taking home MVP honors for his standout performance and leadership on the ice. Pacific came out swinging, taking down North and Atlantic before facing a tough Central squad. Atlantic showed serious grit with wins over North and Central, while North fought hard but couldn’t close it out. In the end, Central stood tall, claiming the championship with consistency and clutch play. As the crowd roared and the players celebrated, it was clear—this year’s AHL All-Star event was unforgettable. With Central on top, the countdown to next year’s showdown is already on. Photo Taken by Allison Cho CHECK OUT THE FULL COVERAGE FROM THE WEEKEND BELOW: INTERVIEWS: TY MUELLER  - ABBOTSFORD CANUCKS AUSTON WATSON  - GRAND RAPIDS GRIFFINS SAM FAGEMO - ONTARIO REGIN MATTEW SAVOIE  - BAKERSFIELD CONDORS  SEBASTIAN COSSA  - GRAND RAPIDS GRIFFINS MATT MURRAY  - MILWAUKEE ADMIRALS  JUSTIN HRYCKOWIAN  - TEXAS STARS RYAN SUZUKI  - CHICAGO WOLVES DYLAN GARAND  - HARTFORD WOLFPACK ŠIMON NEMEC  - UTICA COMETS  KEVIN KORCHINSKI  - ROCKFORD ICE HOGS ETHAN BEAR  - HERSHEY BEARS  Photo by Christina Winnegar GALLERIES: DAY 1 DAY 2 DAY 2 - COMMUNITY These photos are owned by Hazze Media and the American Hockey League (AHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.

by: Christina Winnegar This article provides an objective analysis of the game and is authored by an independent writer not affiliated with the team or league Photo Owned by NHL and Affiliates The 2024-25 NHL regular season opens when the Buffalo Sabres face the New Jersey Devils in the 2024 NHL Global Series Czechia on Friday (1 p.m. ET; 7 p.m. Local Time), the first of two games between the teams held at O2 Arena in Prague. The NHL Global Series aims to allow international fans to show up and support their favorite teams and expand their knowledge of the league into an entirely different market.  The two teams that will be going head to head in a two-game series this year have quite the history behind them. After being fired as the New Jersey Devils Head Coach in March after four seasons, Sabres Coach Lindy Ruff is back to lead the team to potentially improve their playoff contention after guiding them to their last postseason in 2011. In his previous time with Buffalo from 1997-2021, Buffalo advanced eight times and reached the Stanley Cup final in 1999, ultimately losing to the Dallas Stars in game six.  Head Coach Sheldon Keefe, former coach of the Toronto Maple Leafs was hired two weeks for the position after he was fired by Toronto. He became their third coach since March after Ruff was fired and replaced by interim coach Travis Green. Keefe gained experience overseas during his final season as coach of the Maple Leafs in the 2023-24 season. Winning 3-2 against the Detroit Red Wings on Nov. 17, 2023, and 4-3 in overtime against the Minnesota Wild on Nov. 19 in the 2023 Global Series Sweden.  Both teams are optimistic and driven in their efforts during training camp to gain the title of the first win of the 2024-25 season after struggling immensely in the previous season. The Sabres placed sixth in the Atlantic Division after missing the playoffs for the thirteenth consecutive season. The Devils placed seventh in the Metropolitan after previously making it to the second round in the 2022-23 playoffs before losing to the Carolina Hurricanes. Both teams had player injuries that sustained a great amount of ice time missed by key players. For Buffalo, Dylan Cozens, Tage Thompson, Alex Tuch, and Jack Quinn, all totaled to miss 76 games for the Sabres last season. As for New Jersey, Dougie Hamilton, Nico Hischier, Jack Hughes, and Timo Meier. With all of the key missing players back on the ice and in good health. Both teams have full-strength rosters going into the 2024-25 season.  Reported roster by Lance Lysowski ( The Buffalo News ) for the final Sabres practice in Prague reads, Nicolas Aube-Kubel, Zach Benson, Jacob Bryson, Bowen Byram, Kale Clague, Connor Clifton, Dylan Cozens, Rasmus Dahlin, Dennis Gilbert, Jordan Greenway, Henri Jokiharju, Peyton Krebs, Jiri Kulich, Sam Lafferty, Ukko-Pekka Luukkonen, Beck Malenstyn, Ryan McLeod, JJ Peterka, Owen Power, Jack Quinn, Lukas Rousek, Mattias Samuelsson, Tage Thompson, Alex Tuch, and Jason Zucker.  Reported Roster by Amanda Stein ( NewJerseyDevils.com ) for the final Devils practice in Prague reads, Jake Allen, Nathan Bastian, Shane Bowers, Jesper Bratt, Seamus Casey, Paul Cotter, Nico Daws, Nick DeSimone, Brenden Dillon, Nolan Foote, Dougie Hamilton, Erik Haula, Nico Hischier, Jack Hughes, Curtis Lazar, Kurtis MacDermid, Jacob Markstrom, Timo Meier, Dawson Mercer, Simon Nemec, Stefan Noesen, Ondrej Palat, Jonas Siegenthaler, Tomas Tatar, and Colton White.  A new name on the Devils roster going into the 2024-25 season, a rookie from the University of Michigan, Seamus Casey. In May 2024, Casey signed his three-year, entry-level contract to begin his professional career with the Devils. Following his contract, the defenseman appeared in his first Prospects Challenge in September. Keefe, thoroughly impressed by Casey’s progress and abilities on the ice, confirmed his NHL debut on October 4th against the Sabres. A player to keep your eyes on after his sophomore season (2023-24) at the University of Michigan, Casey recorded seven goals and forty-five points in thirty-nine games, earning All-Big Ten First Team and First Team All-American honors.  The pairing of the two teams for the NHL Global Series Czechia is a really innovative marketing strategy to drive new fans into the market from different countries. The NHL primary markets are currently in North America. By having teams play internationally, it is opening up a whole new fan base. By growing the knowledge of the game, it allows for it to continue to expand, bringing in new relations as well as new opportunities for players around the world and continuously inspiring the next generation of players and fans around the globe.

By Christina Winnegar This article provides an objective analysis of the game and is authored by an independent writer not affiliated with the team or league Photo Owned by MLB Game 1 of the historic 2024 World Series matchup between the Los Angeles Dodgers and the New York Yankees is set to happen on Friday. This will be the first time the Dodgers and Yankees have seen each other in the World Series since the matchup in 1981 where the Dodgers defeated the Yankees, 4-2. This marks their 12th battle for the title.  However, their most memorable meet was arguably in the 1977 World Series, where Reggie Jackson was named “Mr. October.” According to the Baseball Hall of Fame , the nickname was given to him after he hit three home runs in Game 6 of the World Series on Oct. 18, 1977, leading New York to an 8-4 win and a 4-2 Series victory.  MLB  stated that the only other player to hit three home runs in a World Series clincher was baseball legend Babe Ruth in 1928. MLB  reported that, on Oct. 18, Giancarlo Stanton, with 16 home runs in 35 postseason games, broke a tie between Aaron Judge and Babe Ruth for the fourth-most home runs in Yankees postseason history.   According to ESPN  the top three factors that have carried the Yankees to the World Series are the pressure they apply on the opposing team's pitchers, their patience, and their ability to get on base. Between their average of four pitches per plate appearance in the playoffs as well as their ability to draw walks, they apply an insane amount of pressure on the opposing team. ESPN  reported that, “Leadoff hitter Gleyber Torres has reached base in the first inning in eight of the Yankees’ nine playoff games. Juan Soto, their 2-hole hitter, has done it in seven games.” According to ESPN , The Yankees have a .347 on-base percentage and reach base in 13.9 percent of plate appearances. “The playoff-wide walk rate is 9.9 percent, compared to 8.2 percent in the regular season – but among their nine regulars, seven Yankees are walking at least 11.1 percent of the time,” ESPN  said that the math is really simple, to score runs, you have to fill the bases and for the Yankees, they have been able to do that. Their on-base percentage to lead off innings is .450. As for the Dodgers, the factors that have brought them to the World Series is their depth on the roster as well as their offensive approach. According to ESPN , despite their injuries (Freddie Freeman and Miguel Rojas), they overcame it in their rotation. This roster saved the season against the Game 4 shutout versus the Padres. “Mookie Betts finally broke out of his multiyear postseason slump, Tommy Edman drove in 11 runs in the NLCS, and Kiké Hernandez has continued his “Mr. October” persona after getting a chance to start when Rojas went down in the NLDS against the Padres.” Their offensive approach of applying pressure on the batter against pitches in their preferred area will carry them far against Yankees’ star batters. Shohei Ohtani, a star hitter from the Dodgers, will be a big contributor to their performance at the start of Friday night.  World Series Historic Fun-Facts:  MLB  stated that, for the 2024 Fall Classic, five players who have won MVP in their careers will be taking the field ( Mookie Betts, Freddie Freeman, Aaron Judge, Shohei Ohtani, and Giancarlo Stanton). If all five players make an appearance, it would be the most former MVPs to play in a World Series, according to the Elias Sports Bureau.  MLB  reported that Aaron Judge hit 58 home runs this season and Shohei Ohtani hit 54. This will be the first World Series matchup between two players who each hit at least 50 home runs in that year's regular season.  According to MLB , Juan Soto ranked third in MLB among qualified players in wRC+ this year at 180, following behind his teammate Aaron Judge (218), and opposing hitter Shohei Ohtani (181). “This will be the first series in postseason history to have the top three qualified players in the wRC+ from that season.” In simpler terms, it will be the first time in postseason history that the three top all-around offensive performers in the league will share a field.  The World Series will begin on Friday, October 25th, 2024 at Dodger Stadium. If the series were to go all seven games, the final game of the 2024 season would take place on Nov. 2nd, 2024.

By Christina Winnegar Photo owned by MLB With the historic 2024 World Series matchup between the New York Yankees and the Los Angeles Dodgers beginning on Friday, here’s a guide to understanding the game through the eyes of a baseball fan. What is the World Series? According to MLB , the World Series in baseball is a postseason play-off series between the champions of the two major professional baseball leagues of North America. These two leagues are the American League also known as the AL and the National League also known as the NL, which together make Major League Baseball, also known as MLB.  How does it work? According to MLB , The total of 30 teams in the MLB are split evenly into the American League and National League. Teams in each of the two divisions play each other throughout the regular season and the top six teams from each league, 12 teams total, make it to the playoffs. The teams are then paired up to go against each other in the postseason and the two league winners versus each other in the World Series, taking home the title of the champion.  The World Series Basics to Know:  According to MLB , the World Series is a best of seven series, which means the first time to get to four wins first to secure the title. If all seven games are needed, they’re held over nine days. The league finalist with the best regular season record, is awarded home advantage and hosts four out of seven of the games. Unlike other leagues, the MLB postseason is played under identical rules as any regular-season game played and they’re played until there is a clear winner.  Things to expect prior to Game 1:  Prior to the game, there’s an opening ceremony that is held. The ceremony includes performances by musical guests as well as every player being announced one-by-one. The inaugural first pitch of the game is given by either a celebrity, former player or public figure that was awarded the honor.  Now that you know the basics of the World Series itself, let's learn about the basics of the game the Series stems from.  Intro to Baseball: According to MLB , baseball is a game played between two teams consisting of nine players each. The game is divided into nine innings which are divided into two halves.  In the top half of the inning, the players of one and two come to bat and attempt to score runs, while the other team players in the field attempt to stop the batting team from scoring. In the bottom half, the teams swap places. The team with the most runs at the end of the nine innings played is awarded as the winner of the game. For the team that is attempting to stump the opposing team offensively, the “defense”, has each of their nine players assigned a particular fielding position. These positions consist of pitcher, first baseman, second baseman, third baseman, catcher, left fielder, center fielder and right fielder.  How the field is set up: According to MLB , the game is played on a diamond-shaped playing field, the four corners of said diamond being found at home plate, first base, second base and third base. Located at the middle of the infield which is the inner diamond, is the pitcher’s mound. This is where the pitcher stands to pitch the ball to the batter at home plate. The area beyond the infield, bordered by the first, second and third baselines is called the outfield.  The outfield is called out by the perspective of the batter. There’s left field, center field, and right field. As well as having players on each of the plates, there is also a player to cover each portion of the outfield.  Basics of batting: According to MLB , during each of the nine innings, the pitcher of the defensive team throws the ball toward a player of the offensive team currently in the batting position at home plate. The batter attempts to hit the ball with the bat to a location of reach of the defensive players in the field. The goal of this is to have an attempt to run around the bases, or if the bases are loaded, allow multiple players to cross over home plate for a run. If the player can round the bases and make the return to home plate, he scores a run.  However, if the ball is caught or can be thrown to first base before he arrives at the base then the batter is out. A batter is also called out if he strikes out. Meaning the batter fails to hit the baseball three times after three good pitches. The offensive team's time to bat is over when they get three outs. A batter can also be “walked” to first base if a pitcher throws four pitches outside the strike zone that the batter does not swing at.  How does a player get “out”?:  According to the MLB  there are several ways for a player to be put out of the action during their team’s time to have a chance offensively. When a player is out, they leave the field and the other team takes their turn at bat. Three outs are required to retire the side in an inning.  Strikeout: The batter fails to hit the ball into fair territory after three strikes. A strike occurs when the batter swings and misses or doesn’t swing at a pitch that’s called fair by the umpire.  Flyout: The batter hits the ball and it’s caught before it lands. Tagout: The batter is touched by the ball while not on a base or is held by an opponent while not on a base. Force out:  An opponent with the ball reaches the base the runner is forced to advance to before the runner does. Groundout: When a batter hits a ball on the ground to a fielder, who records an out by throwing to or stepping on first base before the batter. Popout: When a batter hits a pop-up, a fly ball that goes high but not far, that is caught by an opposing defender before it touches the ground or fence. Interfering with a fielder: When an offensive player or team member hinders a defensive player from making a play. This can include physically blocking the fielder, verbally distracting them or visually distracting them. Now that you understand the basics of how the game works, here are the most common player statistics. Unlike the majority of other sports, baseball exists out of time, meaning there is no clock to control gameplay or how a player performs. Statistics are used to help determine a player’s or team’s performance instead.  Offensive Statistics:  As reported by MLB , here are some of the most commonly used offensive statistics.  Batting Average (AVG):  The number of base hits per bat. Games Played (G):  The number of games the player has played in. At Bats (AB):  The official number of times the player has taken the plate as a batter, not counting walks or sacrifices. Runs (R): The number of times a batter has crossed home plate. Hits (H): The number of times a batter has safely reached a base, not including walks or sacrifices. Doubles (2B):  The number of hits that resulted in the batter hitting second base. Triples (3B):  The number of hits that resulted in the batter hitting third base. Home Runs (HR): The number of hits that resulted in a home run.  Runs Batted In (RBI): The number of times a batter has made it possible for his teammates to score. Does not include hits resulting in a double play or runs scored because of an error.  Stolen Bases (SB): The number of times a base runner has successfully advanced to the next base without the help of the hitter. Base on Balls (BB): The number of times a batter has been awarded first base as a result of four balls being pitched outside the strike zone. Also known as walks. Strikeouts (SO):  The number of times a batter has swung and missed on three pitches. Defensive Statistics:  As reported by MLB , here are some of the most commonly used defensive statistics.  Assist (A):  Awarded to a fielder who touches the ball before a putout is recorded by another fielder.  Caught Stealing Percentage (CS%):  The frequency with which a catcher throws out opposing base runners who are trying to steal (catcher caught stealings divided by total stolen-base attempts – both successful and unsuccessful – against that catcher). Double Play (DP):  When two offensive players are ruled out within the same play. Error (E): A fielder is given an error if, in the judgment of the official scorer, he fails to convert an out on a play that an average fielder should have made. Fielding Percentage (FPCT): The total number of putouts and assists by a defender, divided by the total number of chances (putouts, assists, and errors).  Innings Played (INN): Innings played as a defensive statistic, determined by counting the number of outs during which a player is in the field and dividing by three.  Out (O): Recorded when a player at bat or base runner is retired by a team in the field.  Outfield Assist (OFA): Recorded when an outfielder throws the ball into the infield and an out is recorded as a result.  Passed Ball (PB): A catcher is given a passed ball if he cannot hold onto a pitch that – in the official scorer’s judgment – he should have, and as a result, at least one runner moves up on the bases. Putout (PO):  A fielder is credited with a putout when he is the fielder who physically records the act of completing an out.  Total Chances (TC):  A defender’s total chances represent the number of opportunities he has to record an out (formula is: assists plus putouts plus errors). Triple Play (TP): When the defending team records three outs on a single defensive play. Pitching Statistics:  As reported by MLB , here are some of the most commonly used pitching statistics. Games Pitched (GP): The cumulative total number of games in which a player has pitched. Innings Pitched (IP): The cumulative total number of innings pitched by a player. Wins (W): The number of games won. To be noted, a starting pitcher will be credited with a win if he pitches at least 5 complete innings, his team is in the lead when he leaves the game, and if his team continues to maintain the lead for the rest of the game. Losses (L): The number of games lost. Win/Loss Percentage (PCT): The total number of wins divided by the sum of wins and losses.  Saves (SV or S): The number of times a relief pitcher finishes a game where the potential tying or winning run is on base, at bat, or on deck.  Hits Allowed (H): The number of hits given up while pitching. Base on Balls (BB):  The number of times a pitcher has thrown four balls, allowing the batter to be awarded first base. Strikeouts (SO): The number of times a pitcher retires a batter after three strikes. Earned Run Average (ERA): The number of Earned Runs, that are scored without an error, that the pitcher allows every nine innings. Computed by multiplying the total number of earned runs by nine and dividing by the number of innings pitched.  Glossary:  In baseball, many terms are used by broadcasters and fans to describe what is happening while the game is in play. According to MLB , here is a glossary of the terms you are likely to hear the most.  Balk:  An illegal motion by the pitcher with one or more runners on base, entitling all runners to advance one base. A balk can be one of several movements related to the pitching motion but the intention is to catch the runners off balance.  Ball:  A pitch that does not enter the strike zone and is not struck at by the batter. Base:  The four points of the diamond that must be touched by a runner to record a run. Batter:  The offensive player who is currently positioned in the batter’s box. Batter’s Box:  Either of the areas next to home plate where the batter stands during his time at bat. Bottom:  The second half of an inning. Bunt:  A legally batted ball, not swung at but intentionally met with the bat and tapped within the infield. Catch:  The act of a fielder in getting secure possession in his hand or glove of a ball in flight and firmly holding it. Catcher:  The defensive player whose position is directly behind home plate. Defense:  The team is currently in the field. Designated Hitter:  A player who may be designated to bat instead of the pitcher.  Double:  A play in which the batter makes it safely to second base without stopping. Double Play: A defensive play in which two offensive players are put out as a result of one continuous action.  Dugout: The seating area for players/coaches who are not currently on the playing field. Fair Ball: A legally batted ball that settles on or over fair territory.  Fielder’s Choice:  The act of a fielder who handles a fair ground ball and, instead of throwing it to first base to put out the batter runner, throws to another base in an attempt to put out a preceding runner.  Fly Ball: A ball which goes high in the air when batted. Force Play:  A play in which a runner loses his right to occupy a base when the current batter becomes a runner.  Foul Ball:  Any bad ball that first contacts a Fielder, while the ball is in val territory is considered foul. If not touched by a fielder and fair territory, any bad ball that first contacts the field in val territory beyond first or third base – with the foul lines and foul poles, counting as territory –  is considered foul. Foul Territory:  The part of the playing field outside the first and third base lines extended to the outfield fence and perpendicular upwards.  Ground Ball:  A batted ball that rolls along the ground. Home Run: A play in which the batter makes it safely around all bases and back to home plate without stopping. Infield:  The diamond-shaped portion of the playing field bordered by the four bases. Infielder: A fielder who occupies a position in the infield.  Line Drive:  A ball that is batted directly to a fielder, without touching the ground. Out:  A declaration by the umpire that a player who is trying for a base is not entitled to said base. Outfield: The portion of the playing field that extends beyond the infield and is bordered by the first and third baselines.  Outfielder: A fielder who occupies a position in the outfield. Pitch: The ball is delivered by the pitcher to the batter. Pitcher: The fielder designated to pitch the ball to the batter. Run  The score made by an offensive player who has rounded the bases and returned to home plate. Runner: An offensive player who is advancing toward, touching, or returning to any base. Safe:  A declaration by the umpire that a runner who is trying for a base has not been tagged or forced out, and is therefore entitled to that base.  Single:  A play in which the batter safely makes it to first base.  Strike: A legal pitch called by the umpire when: It is struck by the batter and missed. Is not struck at, when the ball passes through the strike zone. Is fouled by the batter when he has less than two strikes. Touches the batter as he swings at it. After being batted, it travels from the bat to the catcher’s hands and it's caught by the catcher. Strike Zone: An area directly over home plate, from the bottom of the batter’s kneecaps to the midpoint between the top of the batter’s shoulders and the top of the batter’s pants. Tag: The action of a fielder touching a base with his body while holding the ball, touching a runner with the ball, or with his glove while holding the ball. Top:  First half of an inning. Triple:  A play in which the batter makes it to third base without stopping. Umpire: The official who judges the legality of the plays in the game. Also referred to as the enforcer.

Gallery by Holly Arend These photos are owned by Hazze Media and the American Hockey League (AHL). They may not be redistributed, sold, or used for commercial purposes without explicit permission.